Displaying: 103951 - 104000 of 229,212

Leverett Saltonstall II, 1554-B

The image is a portrait of Leverett Saltonstall II, he is depicted in formal attire, wearing a suit with a vest and tie, and holding a folded umbrella or walking stick. The portrait is framed with a decorative frame, and there is a plaque at the bottom with his name and title. Photographed at Custom...

Lady Lyndhurst, Painting by Lawrence Thomas and John Singleton Copley, 1555-B

The image shows a painted portrait titled "Lady Lyndhurst" by Lawrence Thomas and John Singleton Copley. The woman in the painting is depicted in a half-length pose, wearing a dark dress with a high lace collar and a bonnet. Her hands are gently clasped, and there is a subtle background of foliage. ...

Unidentified Man, 1556-B

The image features a man depicted in formal attire, consisting of a three-piece suit and tie. He is positioned with one hand in his pocket, displaying a composed expression and a notable mustache.

Septimia Randolph Meikleham, Painting by Edward May, 1557-B

The image is a photograph of a painting by Edward May titled "Septimia Randolph Meikleham." The painting features a portrait of a woman with dark hair styled in an updo, adorned with lace or ribbon details. She is wearing a dress with a wide neckline and decorative embroidery. The painting is set in...

Thomas Hutchinson, Painting by Charles W. Peale, 1558-B

The image is a painting of Thomas Hutchinson, attributed to Charles Peale. The subject is a man with white hair, dressed in a dark coat with visible buttons, and a white cravat. His left hand is partially visible, resting across his chest. Photographed at the Bostonian Society, Old State House.

Margaret (Sanford) Hutchinson, Painting by Charles W. Peale, 1559-B

The image is a photograph of a painting by Charles W. Peale titled "Margaret (Sanford) Hutchinson." It depicts a woman, Margaret Hutchinson, holding a fan. She is wearing a garment with lace and embroidery, as well as a choker with a pendant. The painting is signed by the artist.

Nathaniel Gorham, Painting by Charles W. Peale, 1560-B

The image depicts a portrait of Nathaniel Gorham, painted by Charles W. Peale. It shows a man wearing a coat, waistcoat, and cravat, all typical of late 18th-century fashion. The portrait is set within an ornate frame with decorative corner elements.

Nathaniel Gorham, Painting by Charles W. Peale, 1561-B

The image depicts a portrait painting of Nathaniel Gorham, attributed to the artist Charles W. Peale. The subject is shown in a formal pose, wearing 18th-century attire. The painting is housed in an ornate frame with decorative floral patterns.

Henry Lee Higginson, Painting by John Singer Sargent, 1562-B

The image is a painting titled "Henry Lee Higginson" by John Singer Sargent. It depicts a man sitting down, wearing a coat and holding the armrest.

Henry Lee Higginson, Painting by John Singer Sargent, 1563-B

The image displays a painting of Henry Lee Higginson by John Singer Sargent. Higginson is seated, wearing a long coat and holding an object in his right hand, with his left hand resting on his lap. The background appears textured, and the painting is framed.

John Adams, Painting by Gilbert Stuart, 1564-B

The image shows a framed portrait of John Adams, painted by Gilbert Stuart. The portrait depicts a man in formal 18th-century attire, featuring a dark coat and white cravat. The frame appears to be ornate and the painting is displayed against a patterned background.

Nathaniel Coffin, Painting by Gilbert Stuart, 1565-B

The image depicts a framed painting of Nathaniel Coffin by Gilbert Stuart. The portrait shows an older man with a bald head, dressed in formal attire, facing the viewer. The painting is situated in an interior setting with additional framed photographs and a vase visible in the background. Photograp...

Thomas Jefferson, Painting by Gilbert Stuart, 1566-B

The image is a painting by Gilbert Stuart, showing Thomas Jefferson. Jefferson is depicted wearing a dark jacket and white cravat, with his face turned slightly towards the viewer. The background is plain, focusing attention on the subject's facial features and attire.

Thomas Jefferson, Painting by Gilbert Stuart, 1567-B

The image is the reversed negative of a painting of Thomas Jefferson by Gilbert Stuart. It depicts a portrait of Thomas Jefferson, with medium-length hair, wearing a dark coat and a white cravat. The background is plain and muted. Photographed at Bowdoin College.

Thomas Jefferson, Painting by Gilbert Stuart, 1568-B

The image depicts a painting of Thomas Jefferson by Gilbert Stuart. Jefferson is seated, facing slightly to the side, wearing a dark coat with a white cravat. His right hand rests on a surface with papers. There is a column and drapery in the background. Photographed at Bowdoin College.

Jeremiah Mason, Painting by Gilbert Stuart, 1569-B

The image is a painting by Gilbert Stuart of Jeremiah Mason. It depicts a seated man in formal attire, facing slightly to the right. The man is holding what appears to be a book in his right hand, and the portrait is framed.

William Orne, Painting by Gilbert Stuart, 1570-B

The image is a portrait painting of William Orne, created by Gilbert Stuart. It features a man with short, light-colored hair, wearing a dark coat and a white cravat. His face is directed slightly towards the viewer while maintaining a neutral expression. The frame is visible around the painting. It...

Elizabeth Bromfield Rogers, Painting by Gilbert Stuart, 1571-B

The image depicts a painting by Gilbert Stuart titled "Elizabeth Bromfield Rogers." The portrait shows a woman seated, wearing a high-necked gown with lace details. Her hair is styled up, and she has an elaborate headpiece. The painting is enclosed in an ornate frame with intricate floral designs. P...

Portrait of the Artist, Painting by Gilbert Stuart, 1572-B

The image displays a framed portrait painting by Gilbert Stuart titled "Portrait of the Artist." The artwork features a partially completed head and shoulders depiction of a man with flowing hair, shown against a plain background. The portrait is enclosed in an ornate, oval-shaped frame with intrica...

William Tudor, Painting by Gilbert Stuart, 1573-B

The image is a photograph of a painting by Gilbert Stuart, depicting William Tudor. It shows a man with curly hair wearing a dark coat and a high-collared shirt. The painting is framed with a simple, thin border.

Peter Faneuil, Painting by John Smibert, 1574-B

The image is a photograph of a painting by John Smibert titled "Peter Faneuil." It depicts a man with long, white hair, wearing period attire with a dark coat and white cuffs. He stands with an arm resting on a surface, and the background features a distant view of ships. The painting is enclosed in...

Judge Samuel Sewall, Painting by Nathaniel Emmons, 1575-B

The image is a portrait of Judge Samuel Sewall. He is depicted seated, wearing a dark judicial robe and a white neck cloth. The frame is ornately decorated, and Sewell has a prominent, gentle expression with his hands resting in his lap. Photographed at the Massachusetts Historical Society for Mrs. ...

George Ticknor, Painting by Thomas Sully, 1576-B

The image is a photograph of a painting by Thomas Sully titled "George Ticknor." The portrait depicts a seated man, identified as George Ticknor, with dark hair, wearing a high-collared shirt and a coat. He is sitting on a chair with a circular cushion, holding a piece of paper or document in his ha...

Maria Franklin Clinton, Painting by John Trumbull, 1577-B

The image is a painting of a woman identified as Maria Franklin Clinton, wife of DeWitt Clinton,created by John Trumbull. She is seated, facing left, with her right arm resting on a surface. She is wearing a dress with lace detailing and her hair is styled up. The background features a dark curtain ...

Christopher Gore, Painting by John Trumbull, 1578-B

The image shows a painting of Christopher Gore, created by John Trumbull. The portrait features a man with white hair, wearing a dark coat and white cravat. The painting is encased in an ornate, decorative frame. Photographed at Memorial Hall, Cambridge for Century Co.

Christopher Gore, Painting by John Trumbull, 1579-B

The image is a photograph of a painting by John Trumbull titled "Christopher Gore." It depicts a man with white hair wearing a dark coat and a white cravat. The lower part of the frame has the text "Gov. Gore" engraved on it.

Alexander Hamilton, Painting by John Trumbull, 1580-B

The image depicts a painting by John Trumbull of Alexander Hamilton. Hamilton is shown in a formal pose with a neutral expression, wearing a high-collared shirt and dark coat. The portrait is framed in an ornate frame. It was photographed at the MFA, Boston.

Maria Franklin Clinton, Painting by John Trumbull, 1581-B

The painting titled "Maria Franklin Clinton" by John Trumbull depicts a seated woman in a formal dress with lace detailing. The woman is shown from the waist up with her right arm resting on a surface. The background includes draped fabric. Noted as having been owned by E. D. Jordan,.46 Beacon St.

The Little Rose of Lyme Regis, Painting by James McNeill Whistler, 1582-B

The image depicts a painting titled "The Little Rose of Lyme Regis" by James McNeill Whistler. It portrays a young girl with long hair, wearing a dress with a high collar and her hands clasped in front of her. The artwork is framed and the text at the bottom indicates its association with the Museum...

Thomas Carlyle, Painting by James McNeill Whistler, 1583-B

The image is a painting titled "Thomas Carlyle" by James McNeill Whistler. It depicts the profile of a bearded man, dressed in a jacket, with his gaze turned to the left side of the canvas. The painting is characterized by a textured surface and consists of muted tones.

Charles Sumner, Painting by Moses Wright, 1584-B

The image displays a painting of Charles Sumner, created by Moses Wright. The artwork is set within an ornate frame and depicts Sumner seated, wearing formal attire. A name plaque below the painting identifies the subject and the artist. Photographed at the Boston Public Library with the original ma...

Mrs. Appleton, Watercolor by Arthur Beebe, 1585-B

The image depicts a profile portrait of a woman, identified as Mrs. Appleton. Her hair is styled in an updo, and she wears a garment with a decorative collar. The portrait is oval-shaped and centered within the image.

Governor James Bowdoin II, Painting by Robert Feke, 1586-B

The painting titled "Governor James Bowdoin II" by Robert Feke depicts a man in a formal pose, with his left hand resting on his hip. He is wearing a dark coat with ornate white cuffs and a detailed waistcoat. The background includes a landscape with trees and mountains. The painting is framed with ...

Henry Bromfield, Painting by Samuel Morse, 1587-B

The image is a photograph of a portrait painting of an older man identified as Henry Bromfield. The painting features the man in a seated position, wearing attire typical of a formal portrait. His hair is white and he wears a somber expression. The name "Henry Bromfield" is inscribed on the bottom o...

Edward Bromfield, Painting by Joseph Blackburn, 1588-B

The painting is a portrait of Edward Bromfield by Joseph Blackburn. Bromfield is depicted seated, facing slightly to the viewer's right, wearing a long coat with visible buttons and holding a partially open book in his left hand. His hair appears to be styled in curls, typical of the fashion during ...

Edward Bromfield, Painting by John Greenfield, 1589-B

The image is a black-and-white photograph of a framed painting of Edward Bromfield. The painting, created by John Greenfield, depicts an older man with curly hair wearing a dark coat and a white collared shirt. The frame is ornate, with decorative elements visible around its edges.

Mrs. Edward Bromfield, Painting by John Greenwood, 1590-B

The image is of a painting titled "Mrs. Edward Bromfield" by John Greenwood. It depicts a woman in a formal pose, wearing a dress with a visible ruffled collar. The painting is framed with an ornate border and is presented in a rectangular format.

Edward Bromfield, Painting by John Greenwood, 1591-B

The painting of Edward Bromfield by John Greenwood depicts him wearing a robe and a beret. He is shown with one hand gesturing towards a cylindrical object, possibly a scientific instrument, placed on a table beside him. The phorograph was taken at Bromfield School, Harvard, Massachusetts. The paint...

John Brooks, Painting by Gilbert Stuart, 1592-B

The image is a photograph of a framed painting of John Brooks by Gilbert Stuart. The painting portrays a man in formal attire, featuring a uniform with epaulets, seated against a neutral backdrop. The ornate frame surrounding the painting has intricate detailing.

Dr. John Clarke, 1593-B

The image is a framed portrait of Dr. John Clarke by an unidentified artist. The painting shows a man with a long beard and a hat, dressed in period attire. He holds a small skull in his hand, which rests on a table. A plaque beneath the portrait reads: "John Clark 1598-1664 Came to America 1635 - P...

Dr. John Clarke, 1594-B

The image is a painting of John Clark, dated 1598-1664, according to the plaque on the frame. The portrait depicts a bearded man with long hair, wearing a cap and a garment with a square collar. He is holding a human skull in his right hand. The plaque also notes he came to America in 1635 and the p...

John Cotton, 1595-B

The image depicts a framed portrait of John Cotton. The man is dressed in clothing typical of a bygone era with a distinctive collar. The frame is ornate with intricate designs.

Garrick, 1596-B

The image depicts a framed painting of a man dressed in period attire, holding a cane and standing in a poised posture. The background includes architectural elements such as columns and what appears to be foliage.

Nahum Mitchell, 1606-B

The image is a portrait of an older man identified as Nahum Mitchell. He wears formal clothing with a visible cravat or ruffled neckwear. The painting is set in an ornate frame. The focus is on the upper body and face of the subject. Photographed at the Massachusetts Historical Society.

Christopher Greene, Painting by James Sullivan Lincoln, 1597-B

The image is a painting titled "Christopher Greene" created by James Sullivan Lincoln. It depicts a man wearing a uniform with epaulets, one hand partially inside his coat. The painting is framed with an ornate frame, and the name "Christopher Greene" is displayed on a plaque at the bottom.

Judge Samuel Hubbard, Painting by Samuel Lovett Waldo, 1598-B

The image is a painting of Judge Samuel Hubbard by Samuel Lovett Waldo. It depicts a middle-aged man with short, curly hair, seated and wearing a dark coat and waistcoat with a white shirt. His right hand is visible, resting on his lap. The painting is framed with an ornate, white frame. Photographe...

Isaac Hull, Engraving by Thomas Freeman after Gilbert Stuart Painting, 1599-B

The image is an engraving by Thomas Freeman after a painting by Gilbert Stuart, depicting Isaac Hull. Hull is shown wearing a military uniform with epaulettes. Below the portrait, an illustration of a naval battle scene involving ships is included, along with descriptive text identifying Capt. Isaac...

Daniel Webster, Painting by Parker Chandler, 1451-B

The image features a painting of Daniel Webster created by Parker Chandler. The portrait depicts a man in formal attire, including a dark coat and a white shirt. The framed painting is placed on top of a book against a corner wall.

Webster Replying to Hayne, Painted by George Healy, 1452-B

The image shows a painting titled "Webster Replying to Hayne," created by George Healy. The painting depicts a large gathering of men in a formal setting, likely a political or legislative chamber, with one man prominently standing while addressing the assembly. Above the painting is the inscription...

Webster's Reply to Hayne, 1453-B

The image depicts a handwritten page identified as "Webster's Reply to Hayne." The document contains cursive writing with several words and sentences crossed out. The text refers to themes of liberty, union, and American ideals, It is the last page of the manuscript.