Displaying: 118651 - 118700 of 223,951

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Pin

No description

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Brick

Brick

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Baseboard

Weathered on the front. Tongue along the top edge. Three nail holes at left edge.

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Tile

Hexagonal tile.

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Bed Slats

Bed slats to a bed that was disposed of in January 1950. F: plain board--stain not so obvious. G: plain board w/ brown stain on one side and two edges.

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Brick

Flat rectangular brick or tile.

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Gutter

Exterior cornice molding with gutter incorporated. Has been partially restored with modern pieces and is held together with modern wood blocks screwed on the back.

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Pin

Tapered to a point.

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Pin

Conical oak pin.

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Base

No description

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Clapboard

Unused, with beaded edge.

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Clapboard

Restoration clapboard with dark stain and pronounced beaded edge.

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Clapboard

A greatly weathered clapboard with squared ends; possibly a suggestion of a bead along one edge.

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Clapboard

Much white paint.

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Lath

No description

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Lath

No description

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Pendant

Pendant with heart-shaped cutouts. A panel-like detail on the three exposed fces and a 2 1/4 x 4 x 4 1/4 tenon with peg holes to join it to the building frame. Traces of red paint.

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Pendant

Pendant with heart-shaped cutouts. A panel-like detail on the three exposed faces and a 2 1/4 x 4 x 4 1/4 tenon with peg hole to join it to the building frame. Traces of red paint.

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Sheathing

Shadow-molded sheathing board. Unpainted, broken along one ends; rabbet along the other edge.

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Shingle

Two cut in diamond and two cut in circular shapes; one rosehead nail in diamond-cut one. Extreme weathering very evident; one circular-cut is broken in half in exposed area, the other broken at the top.

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Lath

One face planed smooth; split one direction and sawn the other.

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Baluster

Stain and varnish finish - mahogany.

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Baluster

Painted mahogany over cream.

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Baluster

Bottom of a baluster, the square portion with dowel in the end and just the beginning of a turning on top. Red paint over white.

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Cornice

Cornice with frieze; mitered at both ends. Frieze alternates groups of chiseled fluting (four per group) with applied composition medallions; painted white.

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Trim

Exterior molded trim; quirked bead along one edge. A: cut out on one end. B: hand-wrought nails.

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Cornice

Mitered both ends; carved key pattern with arced gouge; painted white over light green.

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Architrave

Bolection molding; mitered at top and cut off at bottom (for baseboard); misc. sheathing attached; painted grey; wallpaper fragments.

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Baseboard

Flat baseboard with coved upper edge; painted powder blue.

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Baseboard

Electrical box cutout in one end. Rabbed and bead at one edge; rabbet only (no paint at edge) at opposite. Painted white.

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Mantel

Frieze board with cap which returns at ends. Frieze miters for missing returns each end. Painted white, face only, and end returns on cap.

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Trim

No description

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Cornice

Cornice with blue paint; ends mitered inward toward top. Hand-wrought nail in one piece.

John Quincy Adams, Painting by Thomas Sully and Gilbert Stuart, 2614-B

The image shows a framed painting of John Quincy Adams by artists Thomas Sully and Gilbert Stuart. The portrait depicts Adams standing beside a table, wearing formal attire. He appears to be in an interior setting with columns and a figure in the background visible through an opening.

John Quincy Adams, Painting by Gilbert Stuart, 2615-B

The image shows a framed painting of John Quincy Adams, created by Gilbert Stuart. The portrait displays Adams in formal attire, facing forward. The detailed frame around the painting features an intricate design.

Mrs. Governor Bowdoin, Painting by Robert Feke, 2585-B

The painting depicts a woman seated and dressed in an elegant gown. She is holding a small bouquet of roses in her lap, with a mountainous landscape visible in the background. The painting is framed with an ornate border.

Governor Bowdoin, Painting by Robert Feke, 2586-B

The painting depicts a man, Governor Bowdoin, standing outdoors against a backdrop of trees and hills. He is wearing a formal 18th-century outfit with a dark coat, a vest with intricate embroidery, and a ruffled shirt. His hands rest on his hips, and he gazes directly at the viewer.

Christopher Gore, Painting by John Trumbull, 2588-B

The painting depicts a portrait of Christopher Gore, created by John Trumbull. It shows a man with light hair wearing a dark coat and a white cravat. It was photographed at Memorial Hall, Cambridge.

General Grant and His Family, 2589-B

The image shows a framed painting, which depicts a group portrait of General Grant, his wife, and three children. The individuals are posed in an outdoor setting with trees in the background. The man, standing, wears a military uniform, while the others are sitting or standing around him. The painti...

Harriet Beecher Stowe, 2590-B

The image shows a framed portrait of Harriet Beecher Stowe. The portrait is a drawing, presented with an ornate frame. Below the portrait, there is a plaque that provides details about the presentation of the image, mentioning it is from the same, drawn by George Richmond, and presented to her husba...

William Burnet, 2591-B

The image shows a framed portrait of William Burnet. He is depicted with curly, shoulder-length hair and is wearing a dark coat with a white cravat. Below the portrait, a plaque states "William Burnet, Gov. of Mass. in 1728 & 1729." The frame is ornate with decorative elements. It was photographed a...

John Adams, Painting by Gilbert Stuart, 2616-B

The image is a painting by Gilbert Stuart, depicting John Adams. It is a formal portrait showing Adams from the waist up, facing slightly to his right. He is wearing a dark coat and a white cravat, and the frame of the painting is visible.

John Adams, Painting by Gilbert Stuart, 2617-B

The image is a portrait painting by Gilbert Stuart depicting John Adams. The subject is shown in a head-and-shoulders pose, facing forward. He has white hair and is wearing a dark jacket with a white neckcloth.

John Adams, Painting by Gilbert Stuart, 2618-B

The image shows a portrait painting of John Adams by Gilbert Stuart. The artwork is framed with an ornate border and appears to be displayed against a patterned curtain background. The portrait depicts Adams in formal attire with a prominent white collar.

William Shirley, Mezzotint, 2619-B

The mezzotint titled "William Shirley" depicts a man dressed in an ornate coat, standing with his hand resting on a surface that has papers on it. There is a curtain behind him and what appears to be a coastal scene with ships in the background. The text at the bottom identifies him as "His Excellen...

William Shirley, Mezzotint, 2620-B

The mezzotint image depicts William Shirley, who is shown in a formal pose with long, curled hair. He is wearing ornate attire, indicative of the period's style. In the background, a landscape is faintly visible. The bottom of the image features text identifying him and his titles.

John Adams, Painting by John Singleton Copley, 2621-B

The image shows a framed painting by John Singleton Copley depicting John Adams. Adams stands with one hand holding a rolled document, and in the background, there is a classical figure holding a staff and an olive branch. Other elements include rolled papers and a globe near Adams.

John Adams, Painting by John Singleton Copley, 2622-B

The image is a painting by John Singleton Copley depicting John Adams. He is shown from the waist up, wearing a formal coat with buttons and holding a rolled document in his right hand. The background is plain, focusing attention on the subject.

Abraham Lincoln, 2623-B

The image shows a portrait of Abraham Lincoln seated, wearing a suit with a vest and a bow tie. He has a distinctive beard and is holding a document in his left hand while resting his arm on a table.

Abraham Lincoln, Painting by George Peter Alexander Healy, 2624-B

The image is a photograph of a painting by George Peter Alexander Healy that depicts Abraham Lincoln seated on a chair. He is shown with his legs crossed and his chin resting on his hand, wearing a formal suit with a bow tie.