Displaying: 126151 - 126200 of 226,295

Crawford W. Long, MD, 1644-B

The image is an engraving of Crawford W. Long, M.D. It includes his name prominently below his portrait, alongside a reference noting him as the "Discoverer of Anaesthesia." The text mentions his demonstration using sulphuric ether on James M. Venables in Jefferson, Jackson County, Georgia, on March...

Theodore Lyman Jr. 1834-35, 1645-B

The image is a portrait of Theodore Lyman Jr. from 1834-35. It depicts him in profile, facing to the right, with finely detailed hair and clothing. The portrait is framed within an oval shape, and the name "Theodore Lyman Jr." along with the year "1834-35" is inscribed below the image. It was photog...

Theodore Lyman Jr. 1834-35, 1646-B

The image is a portrait of Theodore Lyman Jr. from the year 1834–35. It features a side profile of a man with short hair, displayed within an oval frame. The name "THEODORE LYMAN JR. 1834–35" is inscribed below the portrait.

Emily (Marshall) Otis, Painting by Chester Harding, 1647-B

The image depicts a framed painting of Emily (Marshall) Otis by Chester Harding. The painting features a woman seated, wearing a dress with puffed sleeves. The frame is ornate with decorative floral designs. Photographed for D Lothrop and Co.

Reverend Cotton Mather, Mezzotint by Peter Pelham, 1648-B

The image is a mezzotint portrait of Reverend Cotton Mather by Peter Pelham. Mather is depicted wearing a formal garment with a clerical collar. The portrait is oval-shaped and includes an inscription with Cotton Mather's name and additional text below the image.

Reverend Cotton Mather, Mezzotint by Peter Pelham, 1649-B

The image is a mezzotint portrait by Peter Pelham depicting Reverend Cotton Mather. The portrait shows Mather in an oval frame, wearing a period-appropriate clerical collar and attire. His hair is styled in curls, and he is positioned facing forward. There is text below the portrait, which includes ...

Reverend Cotton Mather, Mezzotint by Peter Pelham, 1650-B

The image is a mezzotint portrait of Reverend Cotton Mather, engraved by Peter Pelham. Mather is depicted in formal attire, including a white clerical collar, with an oval frame around the portrait. Below the image, there is text identifying him and providing additional information. The portrait is ...

Reverend Cotton Mather, Mezzotint by Peter Pelham, 1651-B

The image is a mezzotint portrait of Reverend Cotton Mather by Peter Pelham. It depicts a man with curly hair, dressed in clerical attire, featuring a high-collared shirt. The name "Cottonus Matherus" is inscribed at the bottom of the print.

Reverend Cotton Mather, Mezzotint by Peter Pelham, 1652-B

The mezzotint by Peter Pelham depicts Reverend Cotton Mather. He is shown in an oval portrait, wearing a clerical collar and a dark robe. Mather has long, curly hair and a composed expression. The text below the image includes his name and titles as well as some Latin inscriptions.

Massachusetts Bench of the Supreme Court, 1842-1847, 1653-B

The image shows a daguerreotype photograph of four men seated behind a draped table. The men are dressed in 19th-century formal attire, with suits and bow ties. It was photographed for the Century Co.

Massachusetts Bench of the Supreme Court, 1842-1847, 1654-B

The image daguerreotype four men seated behind a cloth-covered bench, representing the Massachusetts Bench of the Supreme Court between 1842-1847. The men are dressed formally, wearing dark suits with white shirts. The frame around the image is decorative with an intricate pattern.

Massachusetts Bench of the Supreme Court, 1842-1847, 1655-B

The image shows four men seated behind a table or bench, dressed in formal attire, likely judicial robes, as part of the Massachusetts Bench of the Supreme Court during 1842-1847. The photograph is framed and appears to be an early type of portrait.

Massachusetts Bench of the Supreme Court, 1842-1847, 1656-B

The image shows four seated men, members of the Massachusetts Bench of the Supreme Court from 1842 to 1847. They are positioned behind a draped table and are dressed in formal attire. The photograph was taken at the Mahogany Room, Supreme Court, Boston, Massachusetts.

Richard Mather, 1657-B

The image shows an illustration of Richard Mather with a beard and a cap, holding an open book in one hand. The words "Richardus Mather" are written above, with a signature or inscription at the bottom of the drawing. The illustration appears to be part of a larger book. The photograph was taken at ...

Mr. Monroe, 1658-B

The image depicts a man, Mr. Monroe, with a prominent mustache and neatly combed hair, wearing a suit with a buttoned-up jacket and a visible shirt collar. The man is posed against a plain background.

Wendell Phillips, 1659-B

The image is a framed portrait of a man in a suit and bow tie, identified as Wendell Phillips. The frame has decorative floral patterns along the borders. The upper part of the image background is dark with faint handwritten text above the portrait. The photograph was taken for Miss Marion T. Bennet...

Lemuel Shaw, Chief Justice of the Massachusetts Supreme Judicial Court, 1660-B

The image shows a seated man wearing 19th-century formal attire, including a dark jacket, waistcoat, and white shirt. There is a label at the bottom left with the name "Lemuel Shaw" and the dates "chief judge 1830–1860." The setting includes a plain background and an armchair. The photograph was t...

Lemuel Shaw, Chief Justice of the Massachusetts Supreme Judicial Court, 1661-B

The image shows a seated man identified as Lemuel Shaw, who served as Chief Justice of the Massachusetts Supreme Judicial Court. He is wearing formal attire, which includes a dark coat and a vest, with a white collar and cravat. The photographic setting appears to be indoors.

Benjamin Penhallow Shillaber, 1662-B

The image shows an older man sitting in a chair beside a desk in an interior setting. He is wearing a long coat and has his hand resting on his head, with a pensive expression. The wall behind him features patterned wallpaper, and there are shelves holding books above the desk. Various papers and it...

Albert Thorndike, 1663-B

The image is a framed portrait of an individual identified as Albert Thorndike. The person appears to be an older man with a full beard and is wearing glasses. The frame is ornate with decorative detailing.

Harriot Taylor Upton, 1664-B

The image shows a woman seated and posing for a portrait. She is wearing a detailed dress with embellishments and has her hand resting near her chin. Her hair is styled up, and she is sitting on a patterned chair against a plain backdrop.

Harriot Taylor Upton, 1665-B

The image features a woman seated in a chair, Harriot Taylor Upton. She is wearing an elegant dress with decorative details. Her hand rests thoughtfully on her cheek as she gazes to the side. The backdrop behind her is a dark fabric.

Simon Bradstreet, 1673-B

The image shows a framed portrait of Simon Bradstreet, who served as the Governor of Massachusetts from 1679 to 1686 and in 1691, according to the sign above the painting. The portrait is elaborately framed with intricate details, and the background curtain is visible behind it.

Jeanne Louis Henriette Campan, 1674-B

The image features a framed portrait of Jeanne Louis Henriette Campan. The subject is depicted wearing a headdress adorned with a large bow and lace, and appears to be gazing slightly to the side. The ornate frame surrounding the portrait is decorated with intricate floral designs.

Alexandre Vattemare, 1666-B

The image is a black-and-white oval portrait of a man with mid-length hair. He is wearing a suit with a bow tie. The photograph was taken at the New York Public Library for Miss Adelaide R. Hasse.

Alexandre Vattemare, 1667-B

The image is a portrait of a man identified as Alexandre Vattemare. He is shown facing forward, wearing a dark suit and a bow tie. The portrait is oval-shaped and centered within the frame. The photograph was taken at the New York Public Library for Miss Adelaide R. Hasse.

Horace Wells, MD, 1668-B

The image is a portrait of Horace Wells, MD. It features a detailed illustration of a man in 19th-century attire, identified as Horace Wells by the signature below the portrait. The portrait is displayed on an open book.

Abigail (Smith) Adams, Painting by Benjamin Blyth, 1669-B

The image shows a painting of Abigail (Smith) Adams, attributed to Benjamin Blyth. The framed portrait is resting against what appears to be a wooden surface with visible textural details. The painting depicts a woman in historical attire.

Eugene de Beauharnais, 1670-B

The image shows a framed portrait of Eugene de Beauharnais. The subject is depicted with short hair and a mustache, wearing a cloak with a decorative background. The ornate frame features floral embellishments.

James F. Baldwin, 1671-B

The image is a portrait of a man identified as James F. Baldwin. He is seated, wearing a dark suit with a vest and a light-colored cravat. He holds an open book in his left hand and rests his right arm on the side of a chair. The portrait is framed in an ornate decorative frame. It was photographed ...

Simon Bradstreet, 1672-B

The image shows a portrait of Simon Bradstreet, framed with ornate decorations. Above the portrait is a sign stating "Simon Bradstreet, Gov. of Mass. from 1679 to 1686 & in 1691." The painting depicts a man with long hair and a mustache, dressed in a draped garment with a visible white collar. It wa...

Richard Cutts, 1675-B

The black-and-white image displays a framed portrait of a man, identified in the title as Richard Cutts. The painting shows the man wearing formal attire with a high-collared shirt. The frame is ornate, with decorative elements at the corners and edges.

Anna Payne Cutts, 1676-B

The image displays a framed portrait of a woman titled "Anna Payne Cutts." The painting depicts the woman seated, wearing a light-colored dress, with her hair styled in curls. The frame is ornate, featuring decorative elements at the corners. The title "Anna Payne Cutts" is visible at the bottom of ...

Samuel Laurence Gouverneur, 1677-B

The image depicts a framed portrait of Samuel Laurence Gouverneur. The portrait shows a young man standing, dressed in formal attire with a jacket and a white collar, holding a walking stick. There appears to be a dog beside him in the lower right corner of the painting. The frame is positioned on a...

John Hancock, Painting by John Singleton Copley, 1678-B

The image shows a painting titled "John Hancock" by John Singleton Copley. This painting features a man dressed in period attire, holding a quill pen and a document. The frame of the painting is ornately decorated with a pattern of scrolls and floral motifs. The name "John Hancock" is prominently di...

Lucy Hayes, Painting by Daniel Huntington, 1679-B

The image shows a framed painting titled "Lucy Hayes," by Daniel Huntington. It depicts a woman standing outdoors, dressed in a long, elegant gown with lace details at the collar and cuffs. She stands next to a large stone urn atop a pedestal, with a background of trees and open sky. The frame is or...

Progress of Demolition of the Museum of Fine Arts, Boston, Northwest Corner, 351-B

The image shows the demolition progress of the Museum of Fine Arts in Boston, focusing on the northwest corner. Visible are partially dismantled sections of the building with some architectural elements still intact, such as arched windows and structural walls. There are construction materials and d...

Progress of Demolition of the Museum of Fine Arts, Boston, Northwest Corner, 352-B

The image shows the northwest corner of the Museum of Fine Arts in Boston during its demolition in 1911. Visible are sections of the building partially dismantled, including arched windows and decorative elements. Construction materials and equipment are present, and a sign on the site indicates the...

Progress of Demolition of the Museum of Fine Arts, Boston, Northwest Corner, 353-B

The image shows the progress of the demolition of the Museum of Fine Arts in Boston, dated March 1, 1911, focusing on its northwest corner. The structure appears partially demolished, with significant portions of the building facade and architectural details still visible. Workers and construction d...

Progress of Demolition of the Museum of Fine Arts, Boston, 354-B

The image depicts the demolition progress of the Museum of Fine Arts in Boston, as of March 1, 1911. It shows a partially demolished building with construction debris scattered around. Several structures, including buildings in the background, are visible, and there are a few people working or stand...

Progress of Demolition of the Museum of Fine Arts, Boston, Northwest Corner, 355-B

The image shows the partial demolition of the Northwest Corner of the Museum of Fine Arts in Boston. Some sections of the building remain intact while others are in various stages of being torn down, with visible debris scattered around. A sign on the building indicates that Robert Pierce & Son, wit...

Progress of Demolition of the Museum of Fine Arts, Boston, 356-B

The image depicts the demolition progress of the old Museum of Fine Arts in Boston. The scene shows partially dismantled buildings, with exposed walls and structural elements, surrounded by debris and construction materials. Scaffolding and poles are visible, indicating active demolition work.

Progress of Demolition of the Museum of Fine Arts, Boston, 357-B

The image depicts the demolition progress of the Museum of Fine Arts in Boston. In the foreground, there is debris scattered across the site, with construction materials and a few carts visible. Behind the demolished area, a prominent building with a large church-like structure and a multi-story res...

Excavation for New Hotel Copley Plaza, 358-B

The image captures an excavation site for the New Hotel Copley Plaza. Visible are workers in the foreground engaged in excavation activities, with tools and horses in use for the work. In the background, there is a church and several multi-story buildings, including one with ornate architectural det...

The Copley Plaza Hotel, 359-B

The image depicts the exterior of The Copley Plaza Hotel in Boston, Massachusetts. The hotel is a grand multi-story building with a rounded corner and numerous windows. People are visible walking along the street and a few early automobiles and a streetcar are present. The American flag is flying at...

The Copley Plaza Hotel, 360-B

The image depicts the Copley Plaza Hotel in Boston, Massachusetts. The building is a large, multi-story structure with a flag flying on top. Several automobiles are parked in front of the hotel, and people are visible on the sidewalk. The foreground shows an expanse of grass.

Second Church, 361-B

The image shows a Gothic-style church, identified as the Second Church, with its exterior covered in ivy. The building features pointed arch windows and doorways, along with a cross at the top of the facade. Surrounding the church are other city buildings, with one displaying signage for "ALCO" and ...

Second Church, Last End of Transept, 362-B

The image shows the east end of the transept in the Second Church in Boston. Rows of wooden pews fill the foreground, leading to a wall with three Gothic-style windows. Above the windows, framed plaques are visible. Two elaborate chandeliers hang from the high ceiling.

Second Church, West Side of Chapel, 363-B

The image depicts the interior of the Second Church, specifically the west side of the chapel. The room features wooden chairs arranged in rows facing a small podium. The walls are adorned with framed inscriptions and there are two wall sconces with multiple bulbs. The space includes wooden paneling...

Second Church, Ladies Parlor, 364-B

The image depicts the Ladies Parlor of the Second Church. The room features a large, ornate ceiling with a central decorative chandelier. There is a covered grand piano on the left side, along with various chairs and a table. A prominent fireplace with a mirror and framed photographs or artwork abov...