Displaying: 126151 - 126200 of 226,301

Mr. Monroe, 1658-B

The image depicts a man, Mr. Monroe, with a prominent mustache and neatly combed hair, wearing a suit with a buttoned-up jacket and a visible shirt collar. The man is posed against a plain background.

Wendell Phillips, 1659-B

The image is a framed portrait of a man in a suit and bow tie, identified as Wendell Phillips. The frame has decorative floral patterns along the borders. The upper part of the image background is dark with faint handwritten text above the portrait. The photograph was taken for Miss Marion T. Bennet...

Lemuel Shaw, Chief Justice of the Massachusetts Supreme Judicial Court, 1660-B

The image shows a seated man wearing 19th-century formal attire, including a dark jacket, waistcoat, and white shirt. There is a label at the bottom left with the name "Lemuel Shaw" and the dates "chief judge 1830–1860." The setting includes a plain background and an armchair. The photograph was t...

Lemuel Shaw, Chief Justice of the Massachusetts Supreme Judicial Court, 1661-B

The image shows a seated man identified as Lemuel Shaw, who served as Chief Justice of the Massachusetts Supreme Judicial Court. He is wearing formal attire, which includes a dark coat and a vest, with a white collar and cravat. The photographic setting appears to be indoors.

Benjamin Penhallow Shillaber, 1662-B

The image shows an older man sitting in a chair beside a desk in an interior setting. He is wearing a long coat and has his hand resting on his head, with a pensive expression. The wall behind him features patterned wallpaper, and there are shelves holding books above the desk. Various papers and it...

Albert Thorndike, 1663-B

The image is a framed portrait of an individual identified as Albert Thorndike. The person appears to be an older man with a full beard and is wearing glasses. The frame is ornate with decorative detailing.

Harriot Taylor Upton, 1664-B

The image shows a woman seated and posing for a portrait. She is wearing a detailed dress with embellishments and has her hand resting near her chin. Her hair is styled up, and she is sitting on a patterned chair against a plain backdrop.

Harriot Taylor Upton, 1665-B

The image features a woman seated in a chair, Harriot Taylor Upton. She is wearing an elegant dress with decorative details. Her hand rests thoughtfully on her cheek as she gazes to the side. The backdrop behind her is a dark fabric.

Simon Bradstreet, 1673-B

The image shows a framed portrait of Simon Bradstreet, who served as the Governor of Massachusetts from 1679 to 1686 and in 1691, according to the sign above the painting. The portrait is elaborately framed with intricate details, and the background curtain is visible behind it.

Jeanne Louis Henriette Campan, 1674-B

The image features a framed portrait of Jeanne Louis Henriette Campan. The subject is depicted wearing a headdress adorned with a large bow and lace, and appears to be gazing slightly to the side. The ornate frame surrounding the portrait is decorated with intricate floral designs.

Alexandre Vattemare, 1666-B

The image is a black-and-white oval portrait of a man with mid-length hair. He is wearing a suit with a bow tie. The photograph was taken at the New York Public Library for Miss Adelaide R. Hasse.

Alexandre Vattemare, 1667-B

The image is a portrait of a man identified as Alexandre Vattemare. He is shown facing forward, wearing a dark suit and a bow tie. The portrait is oval-shaped and centered within the frame. The photograph was taken at the New York Public Library for Miss Adelaide R. Hasse.

Horace Wells, MD, 1668-B

The image is a portrait of Horace Wells, MD. It features a detailed illustration of a man in 19th-century attire, identified as Horace Wells by the signature below the portrait. The portrait is displayed on an open book.

Abigail (Smith) Adams, Painting by Benjamin Blyth, 1669-B

The image shows a painting of Abigail (Smith) Adams, attributed to Benjamin Blyth. The framed portrait is resting against what appears to be a wooden surface with visible textural details. The painting depicts a woman in historical attire.

Eugene de Beauharnais, 1670-B

The image shows a framed portrait of Eugene de Beauharnais. The subject is depicted with short hair and a mustache, wearing a cloak with a decorative background. The ornate frame features floral embellishments.

James F. Baldwin, 1671-B

The image is a portrait of a man identified as James F. Baldwin. He is seated, wearing a dark suit with a vest and a light-colored cravat. He holds an open book in his left hand and rests his right arm on the side of a chair. The portrait is framed in an ornate decorative frame. It was photographed ...

Simon Bradstreet, 1672-B

The image shows a portrait of Simon Bradstreet, framed with ornate decorations. Above the portrait is a sign stating "Simon Bradstreet, Gov. of Mass. from 1679 to 1686 & in 1691." The painting depicts a man with long hair and a mustache, dressed in a draped garment with a visible white collar. It wa...

Richard Cutts, 1675-B

The black-and-white image displays a framed portrait of a man, identified in the title as Richard Cutts. The painting shows the man wearing formal attire with a high-collared shirt. The frame is ornate, with decorative elements at the corners and edges.

Anna Payne Cutts, 1676-B

The image displays a framed portrait of a woman titled "Anna Payne Cutts." The painting depicts the woman seated, wearing a light-colored dress, with her hair styled in curls. The frame is ornate, featuring decorative elements at the corners. The title "Anna Payne Cutts" is visible at the bottom of ...

Samuel Laurence Gouverneur, 1677-B

The image depicts a framed portrait of Samuel Laurence Gouverneur. The portrait shows a young man standing, dressed in formal attire with a jacket and a white collar, holding a walking stick. There appears to be a dog beside him in the lower right corner of the painting. The frame is positioned on a...

John Hancock, Painting by John Singleton Copley, 1678-B

The image shows a painting titled "John Hancock" by John Singleton Copley. This painting features a man dressed in period attire, holding a quill pen and a document. The frame of the painting is ornately decorated with a pattern of scrolls and floral motifs. The name "John Hancock" is prominently di...

Progress of Demolition of the Museum of Fine Arts, Boston, 350-B

The image shows a partially demolished building that once housed the Museum of Fine Arts in Boston, as observed on February 1, 1911. The structure is visibly in the process of being taken down, with debris scattered around and large sections of the exterior wall missing. In front of the building, th...

Progress of Demolition of the Museum of Fine Arts, Boston, Northwest Corner, 351-B

The image shows the demolition progress of the Museum of Fine Arts in Boston, focusing on the northwest corner. Visible are partially dismantled sections of the building with some architectural elements still intact, such as arched windows and structural walls. There are construction materials and d...

Progress of Demolition of the Museum of Fine Arts, Boston, Northwest Corner, 352-B

The image shows the northwest corner of the Museum of Fine Arts in Boston during its demolition in 1911. Visible are sections of the building partially dismantled, including arched windows and decorative elements. Construction materials and equipment are present, and a sign on the site indicates the...

Progress of Demolition of the Museum of Fine Arts, Boston, Northwest Corner, 353-B

The image shows the progress of the demolition of the Museum of Fine Arts in Boston, dated March 1, 1911, focusing on its northwest corner. The structure appears partially demolished, with significant portions of the building facade and architectural details still visible. Workers and construction d...

Progress of Demolition of the Museum of Fine Arts, Boston, 354-B

The image depicts the demolition progress of the Museum of Fine Arts in Boston, as of March 1, 1911. It shows a partially demolished building with construction debris scattered around. Several structures, including buildings in the background, are visible, and there are a few people working or stand...

Progress of Demolition of the Museum of Fine Arts, Boston, Northwest Corner, 355-B

The image shows the partial demolition of the Northwest Corner of the Museum of Fine Arts in Boston. Some sections of the building remain intact while others are in various stages of being torn down, with visible debris scattered around. A sign on the building indicates that Robert Pierce & Son, wit...

Progress of Demolition of the Museum of Fine Arts, Boston, 356-B

The image depicts the demolition progress of the old Museum of Fine Arts in Boston. The scene shows partially dismantled buildings, with exposed walls and structural elements, surrounded by debris and construction materials. Scaffolding and poles are visible, indicating active demolition work.

Progress of Demolition of the Museum of Fine Arts, Boston, 357-B

The image depicts the demolition progress of the Museum of Fine Arts in Boston. In the foreground, there is debris scattered across the site, with construction materials and a few carts visible. Behind the demolished area, a prominent building with a large church-like structure and a multi-story res...

Excavation for New Hotel Copley Plaza, 358-B

The image captures an excavation site for the New Hotel Copley Plaza. Visible are workers in the foreground engaged in excavation activities, with tools and horses in use for the work. In the background, there is a church and several multi-story buildings, including one with ornate architectural det...

The Copley Plaza Hotel, 359-B

The image depicts the exterior of The Copley Plaza Hotel in Boston, Massachusetts. The hotel is a grand multi-story building with a rounded corner and numerous windows. People are visible walking along the street and a few early automobiles and a streetcar are present. The American flag is flying at...

The Copley Plaza Hotel, 360-B

The image depicts the Copley Plaza Hotel in Boston, Massachusetts. The building is a large, multi-story structure with a flag flying on top. Several automobiles are parked in front of the hotel, and people are visible on the sidewalk. The foreground shows an expanse of grass.

Second Church, 361-B

The image shows a Gothic-style church, identified as the Second Church, with its exterior covered in ivy. The building features pointed arch windows and doorways, along with a cross at the top of the facade. Surrounding the church are other city buildings, with one displaying signage for "ALCO" and ...

Second Church, Last End of Transept, 362-B

The image shows the east end of the transept in the Second Church in Boston. Rows of wooden pews fill the foreground, leading to a wall with three Gothic-style windows. Above the windows, framed plaques are visible. Two elaborate chandeliers hang from the high ceiling.

Second Church, West Side of Chapel, 363-B

The image depicts the interior of the Second Church, specifically the west side of the chapel. The room features wooden chairs arranged in rows facing a small podium. The walls are adorned with framed inscriptions and there are two wall sconces with multiple bulbs. The space includes wooden paneling...

Second Church, Ladies Parlor, 364-B

The image depicts the Ladies Parlor of the Second Church. The room features a large, ornate ceiling with a central decorative chandelier. There is a covered grand piano on the left side, along with various chairs and a table. A prominent fireplace with a mirror and framed photographs or artwork abov...

Second Church, East Side of Chapel, 365-B

The image depicts the interior of the east side of the chapel in the "Second Church." The room features rows of wooden chairs and pews arranged in an orderly fashion. Two large windows with decorative grids are present on the wall, along with a statue on a pedestal. Artworks and light fixtures are m...

Second Church, East End of Transept, 366-B

The image shows the interior of the east end of the transept in the Second Church. The space features arched windows with patterned glass and tall, pointed arches in the architectural design. There are several hanging chandeliers, structured pews, and framed inscriptions on the walls. The arrangemen...

Second Church, Chancel and Altar, 367-B

The image shows the chancel and altar area of the Second Church as captured in photograph 367-B. It features Gothic architectural elements with decorative stained glass windows on either side of the altar. The altar is centrally positioned, adorned with intricate designs, and there are pews aligned ...

Memorial Windows of the Second Church, 368-B

The image shows two ornate stained-glass windows in the Second Church. Each window features detailed religious or historical figures. The windows are adorned with intricate designs and patterns typical of ecclesiastical art. The windows are referred to as "Memorial Windows" and are located in Boston...

Memorial Windows of the Second Church, 369-B

The image shows two stained glass memorial windows from the Second Church. Each window is vertically elongated and features intricate designs and figures. The left window depicts a figure labeled as “St. Martin,” while the right window shows a figure labeled as “Dorcas.” Detailed patterns an...

Memorial Windows of the Second Church, 370-B

The image shows two stained glass memorial windows in the Second Church of Boston. The windows feature detailed scenes with multiple figures, including a standing individual addressing others seated. Text below each scene reads "Protest of Increase Mather against the surrender of the colonial charte...

Memorial Windows of the Second Church, 371-B

The image shows two tall arched stained glass windows in the Second Church. Each window features intricately detailed scenes with figures engaged in activity. The left window appears to depict individuals seated at a table, while the right window shows a standing figure gesturing towards a group. Be...

Second Church Apse, 372-B

The image depicts the apse of the Second Church. It features a tall, arched architectural structure with ornate columns. A large chandelier with multiple lights is suspended from the ceiling. The focal point is a detailed artwork or tapestry centered on the wall, depicting a figure in robes.

Second Church, West End of Transept, 373-B

The image depicts the interior of the Second Church, specifically the west end of the transept. It features rows of wooden pews facing a wall with three tall arched windows. Each window contains decorative stained glass, and there are inscriptions on the wall between them. Large chandeliers hang fro...

Second Church, Main Aisle, 374-B

The image depicts the interior of the Second Church in Boston, focusing on the main aisle. The aisle is flanked by rows of wooden pews leading up to an altar area. The altar features a central chair and ornate decorations, with stained glass windows on both sides. A chandelier hangs prominently from...

Organ, Second Church, 375-B

The image shows the interior of the Second Church, focusing on a large pipe organ situated on a raised platform. The organ features an array of vertical pipes enclosed in an ornate wooden casing, with a decorative design pattern. Below the organ, there are rows of wooden pews, and above, a large cha...

Portal of the Aquarium, Marine Park, 377-B

The image shows the entrance of the Aquarium at Marine Park. The building features an ornate portal with two columns supporting an arch, which includes decorative elements. There are windows on either side of the entrance and landscaping, including potted plants, in the foreground. It was photograph...

Portal of the Aquarium, Marine Park, 378-B

The image shows the portal of the Aquarium at Marine Park. The building features an arched entrance supported by two columns and is adorned with decorative elements near the top of the arch. Surrounding the entrance are landscaped areas with plants and a pathway leading to the door. Photographed for...

Portal of the Aquarium, Marine Park, 379-B

The image shows the entrance of an aquarium at Marine Park, identified by a large portal-style entryway with decorative elements. A central arch is supported by classical columns, and there are sculptural details above the arch. The building is surrounded by shrubs and small trees. The photograph is...