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Displaying: 149401 - 149450 of 224,538

No image available

Pin

Conical pin.

Date: ca. 1725

Maker: unknown

Material: oak (wood)

GUSN: 30

Accession Number: 1914.129

No image available

Column

Column fragment, perhaps a column base, with 2" wide carved flutes.

Date: 1880-1882

Maker: unknown

Material: carving (processes), fluting, sandstone

GUSN: 32

Accession Number: 1987.57

No image available

Wall fragment

Section of wall with oak lath which is up and down sawn, riven and accordianed and attached to very wide studs. There is a very fine coat of plaster covering most of the sample.

Date: 1780-1790

Maker: unknown

Material: hair, oak (wood), plaster, splitting, sawing

GUSN: 33

Accession Number: 1964.400C

No image available

Sheathing

Fragments of wall sheathing with shadow molding and black paint as well as whitewash.

Date: 1675

Maker: unknown

Material: molding (forming), painting (coating), softwood

GUSN: 34

Accession Number: 1964.252.2AB

No image available

Dado

Panelled dado with narrow rectangular panel over a wider rectangular panel. The panels are raised field with 1" feather edge. Grooves are quarter-round molded.

Date: ca. 1739

Maker: More, William (Cabinetmaker)

Material: molding (forming), paneling, softwood

GUSN: 35

Accession Number: 1927.847

No image available

Dado

Panelled dado with narrow rectangular panel over a wider rectangular panel. The panels have a raised field and 1" feather panel. The grooves have quarter-round molding. This panel has dado cap molding attached.

Date: ca. 1739

Maker: More, William (Cabinetmaker)

Material: molding (forming), paneling, softwood

GUSN: 36

Accession Number: 1927.848

No image available

Sliding Shutter

A shutter made from two boards held together by a batten; later covered with plaster and lath. Some hair plaster still attached.

Date: ca. 1750

Maker: unknown

Material: hair, plaster, softwood

GUSN: 37

Accession Number: 1980.258

No image available

Shingle

Shingles with ends cut to make hexagonal pattern when put together with others; grey paint and size may indicate an attempt to imitate slate.

Date: 1846

Maker: Davis, Alexander Jackson, Mr. (Architect)

Material: painting (coating), softwood

GUSN: 38

Accession Number: 1959.103A-E

No image available

Shingle

Wall shingle with 8" or so weathering face and rounded upper edge; handsplit.

Date: ca. 1718

Maker: unknown

Material: splitting, pine (wood)

GUSN: 39

Accession Number: 1918.1143

No image available

Clapboard

Section of sheathing board with two bevelled edges and 4 1/2" wide clapboards; clapboaards have feathered ends and wrought nails.

Date: 1735

Maker: unknown

Material: beveling, softwood

GUSN: 40

Accession Number: 1923.545.1

No image available

Shingle

No description

Date: ca. 1672

Maker: unknown

Material: softwood

GUSN: 41

Accession Number: 1928.172

No image available

Clapboard

Clapboard with nails holes on top and bottom; traces of whitewash over half of it.

Date: ca. 1810

Maker: unknown

Material: pine (wood), whitewashing (coating)

GUSN: 43

Accession Number: 1966.12

No image available

Window Sash

Sash with hinge pin sockets and detached iron pull/latch. Divided into three horizontal panels.

Date: 1600-1699

Maker: unknown

Material: iron (metal)

GUSN: 44

Accession Number: 1925.677

No image available

Leaded Window

Ten panes of square-shaped leaded window lights with cames loops for wood transom bar.

Date: 1678

Maker: unknown

Material: lead (metal), lead glass, glass (material)

GUSN: 45

Accession Number: 1951.M24A

No image available

Shingle

Slim and much weathered roof shingles with traces of original red paint.

Date: 1844

Maker: 252 Gray Street (Maker)

Material: pine (wood)

GUSN: 46

Accession Number: 1973.183

No image available

Shingle

Shingle, hand-split and quite weathered.

Date: 1715-1740

Maker: unknown

Material: splitting, Norway spruce (wood)

GUSN: 47

Accession Number: 1928.1142

No image available

Shingle

Roof shingle.

Date: ca. 1767

Maker: unknown

Material: chestnut (wood), oak (wood)

GUSN: 48

Accession Number: 1942.1113

No image available

Shingle

Roof shingle

Date: 1795-1796

Maker: unknown

Material: cedar (wood)

GUSN: 221145

Accession Number: 1930.1165

No image available

Balustrade

B: a short newel post with handrail attached which slopes up and fits into mortise in C. C: a newel post with outline and mortises in the paint showing where two handrails attached at right angles; black paint.

Date: 1830-1850

Maker: unknown

GUSN: 52

Accession Number: 1960.12BC

No image available

Handrail

Handrail segment; mahogany finish; grained?

Date: ca. 1870

Maker: unknown

Material: graining, softwood

GUSN: 53

Accession Number: 1959.247

No image available

Mantelshelf

No description

Date: 1794-1796

Maker: unknown

Material: molding (forming), painting (coating), softwood

GUSN: 54

Accession Number: 1926.866

No image available

Stud

Front door stud with mortise (12 1/2" from one end) and numerous hand-wrought nails in one side.

Date: ca. 1720

Maker: unknown

Material: oak (wood)

GUSN: 55

Accession Number: 1964.62

No image available

Joist

Floor joist, beaded along two edges and charred at one end; some evidence of dark stain.

Date: ca. 1710

Maker: unknown

Material: oak (wood), staining

GUSN: 56

Accession Number: 1969.255

No image available

Stud

A: Wall studs with nails and lathing marks on one face and sheathing and clapboarding on the other. There is a rabbet at each end and recesses on the diagonal. B: Tenons at both ends and bevelled recesses (rabbets).

Date: ca. 1700

Maker: unknown

Material: beveling, hardwood

GUSN: 57

Accession Number: 1966.454AB

No image available

Window Frame

Four pieces of wood joined by pegs; very slight decorative trim; the jambs of the interior are slightly canted; sash would have been fixed and leaded.

Date: 1724

Maker: unknown

Material: hardwood, molding (forming)

GUSN: 59

Accession Number: 1961.17

Mantelpiece

Packed in large crate, this white marble mantel consists of numerous pieces; heavily molded, segmentally arched fireplace surround, incised decoration on the spandrels, leafy capitals.

Date: ca. 1876

Maker: Bowker and Torrey (Maker)

Material: marble (rock), molding (forming), incising, carving (processes)

GUSN: 60

Accession Number: 1922.985

No image available

Newel

B: newel and handrail section, complete and unbroken; brown paint. E: newel and piece of handrail at right angles; mortise for another rail lower down; handrail is simple Federal design; newel has turnings below and is square above with simple turned circle on top; brown paint.

Date: ca. 1810

Maker: unknown

GUSN: 61

Accession Number: 1960.6BE

Lake in the Shawangunk Mountains, Painting by Daniel Huntington, 3735-B

The image displays a painting titled "Lake in the Shawangunk Mountains" by Daniel Huntington, photographed by Frank William Bayley. The artwork depicts a serene landscape with a lake surrounded by dense foliage and rocky formations. In the foreground, two deer are depicted near the water's edge, set...

Collection: Frank William Bayley Photographic Collection, circa 1895-1929

GUSN: 386834

Ref. Code: PC012.001.003.3735-B

Unidentified Woman, Painting by Henry Inman, 3736-B

The image is a photograph by Frank William Bayley of a painting by Henry Inman, depicting an unidentified woman. The woman is shown in a portrait style, facing forward, with long, dark, curly hair. She is wearing a light-colored, draped garment.

Collection: Frank William Bayley Photographic Collection, circa 1895-1929

GUSN: 386835

Ref. Code: PC012.001.003.3736-B

Unidentified Landscape, Painting by George Inness, 3737-B

The photograph captures a painting by George Inness, featuring a serene landscape. The scene includes a body of water with two cows standing near the center, surrounded by dense trees. The painting exudes a peaceful atmosphere, typical of Inness's work.

Collection: Frank William Bayley Photographic Collection, circa 1895-1929

GUSN: 386836

Ref. Code: PC012.001.003.3737-B

Unidentified Landscape, Painting by George Inness, 3738-B

The image displays a painting by George Inness, photographed by Frank William Bayley. It depicts a landscape featuring a field with several animals and a person visible in the foreground. The background includes a large expanse of sky and scattered trees.

Collection: Frank William Bayley Photographic Collection, circa 1895-1929

GUSN: 386837

Ref. Code: PC012.001.003.3738-B

Unidentified Landscape, Painting by George Inness, 3739-B

The image depicts a framed painting by George Inness, photographed by Frank William Bayley. The landscape painting shows a pastoral scene with a flock of sheep grazing on a grassy hillside. There are large trees on the left side and an open view of fields stretching towards the horizon. A shepherd i...

Collection: Frank William Bayley Photographic Collection, circa 1895-1929

GUSN: 386838

Ref. Code: PC012.001.003.3739-B

Miss Goodall, Painting by Ernest Ludvig Ipsen, 3740-B

The image shows a painting titled "Miss Goodall" by Ernest Ludvig Ipsen, which has been photographed by Frank William Bayley. The painting depicts a woman seated, wearing a large hat adorned with feathers. She is dressed in a formal attire with a white ruffled blouse and holds a bouquet of flowers. ...

Collection: Frank William Bayley Photographic Collection, circa 1895-1929

GUSN: 386839

Ref. Code: PC012.001.004.3740-B

George Washinton, Painting by John Wesley Jarvis, 3741-B

The image is a photograph of a painting by John Wesley Jarvis, depicting George Washington. Washington is shown standing in a formal pose, holding a document, with an elaborate setting that includes a column and a pedestal with books and an inkwell. In the background, there is a view of trees and a ...

Collection: Frank William Bayley Photographic Collection, circa 1895-1929

GUSN: 386840

Ref. Code: PC012.001.003.3741-B

Daniel Webster, Painting by Chester Harding, 3742-B

The image is a photographed painting of Daniel Webster by Chester Harding. Webster is depicted seated, wearing a dark suit with a white cravat. His gaze is directed slightly to the side, and his hair is combed back. The portrait captures him from the waist up.

Collection: Frank William Bayley Photographic Collection, circa 1895-1929

GUSN: 386841

Ref. Code: PC012.001.003.3742-B

Possibly Thomas Reed, Painting by William Jennys, 3743-B

The image is a photograph of a painting, possibly depicting Thomas Reed. The portrait shows a man with curly hair, wearing a dark coat and a white cravat. The painting was created by William Jennys and photographed by Frank William Bayley.

Collection: Frank William Bayley Photographic Collection, circa 1895-1929

GUSN: 386842

Ref. Code: PC012.001.003.3743-B

Unidentified Man, Painting by Mathew Harris Jouett, 3744-B

The image is a photograph taken by Frank William Bayley of a painting by Mathew Harris Jouett. The painting depicts an unidentified man. He is shown wearing a dark coat and a white cravat, facing the viewer with a neutral expression.

Collection: Frank William Bayley Photographic Collection, circa 1895-1929

GUSN: 386843

Ref. Code: PC012.001.003.3744-B

Andrew Jackson, Painting by John Johnston, 3745-B

The image features a painting of Andrew Jackson by John Johnston, which has been photographed by Frank William Bayley. The portrait depicts the upper body of Jackson, showing his head and shoulders, with his facial features clearly emphasized. The painting is set against a plain, dark background.

Collection: Frank William Bayley Photographic Collection, circa 1895-1929

GUSN: 386844

Ref. Code: PC012.001.003.3745-B

William Dawes, Painting by John Johnston, 3746-B

The image is a photograph of a painting by John Johnston, depicting William Dawes. The portrait shows a man with a slightly turned pose, wearing a dark coat with large buttons and a ruffled shirt. The painting is framed, and the frame has a beaded edge.

Collection: Frank William Bayley Photographic Collection, circa 1895-1929

GUSN: 386845

Ref. Code: PC012.001.002.3746-B

Samuel Dexter, Painting by John Johnston, 3747-B

The image is a photograph of a painted portrait by John Johnston, taken by Frank William Bayley. It depicts Samuel Dexter, who is portrayed seated with a book in his left hand. He is dressed in formal attire, with a patterned cloak and a white neckerchief, set against a backdrop of bookshelves. The ...

Collection: Frank William Bayley Photographic Collection, circa 1895-1929

GUSN: 386846

Ref. Code: PC012.001.002.3747-B

Possibly William R. Gray, Painting by John Johnston, 3748-B

The image is a photograph of a painting by John Johnston, taken by Frank William Bayley. It possibly depicts William R. Gray, showing a young person in formal attire with a double-breasted coat and ruffled shirt. The subject is posed in front of a neutral background, with foliage visible on one side...

Collection: Frank William Bayley Photographic Collection, circa 1895-1929

GUSN: 386847

Ref. Code: PC012.001.002.3748-B

Samuel Hill, After Restoration, Painting by John Johnston, 3749-B

This is a photograph of a painting titled "Samuel Hill, After Restoration," created by John Johnston and photographed by Frank William Bayley. The image features a man seated wearing a formal coat, white cravat, and holding a piece of paper. The backdrop includes a column and a glimpse of ships at s...

Collection: Frank William Bayley Photographic Collection, circa 1895-1929

GUSN: 386848

Ref. Code: PC012.001.002.3749-B

Miriam Kilby (Mrs. Samuel Hill), Before Restoration, Painting by John Johnston, 3750-B

The image is a photograph of a painting titled "Miriam Kilby (Mrs. Samuel Hill), Before Restoration" by John Johnston, photographed by Frank William Bayley. The painting depicts a woman seated, wearing a dress with a lacy neckline and holding flowers. There are visible signs of damage on the canvas.

Collection: Frank William Bayley Photographic Collection, circa 1895-1929

GUSN: 386849

Ref. Code: PC012.001.002.3750-B

Miriam Kilby (Mrs. Samuel Hill), After Restoration, Painting by John Johnston, 3751-B

The image is a photograph of a painting depicting Miriam Kilby (Mrs. Samuel Hill) after restoration. The painting, created by John Johnston, shows a woman seated with a calm expression, wearing a dress with a sheer shawl and holding flowers in her right hand. Her hair is styled, and she appears to b...

Collection: Frank William Bayley Photographic Collection, circa 1895-1929

GUSN: 386850

Ref. Code: PC012.001.002.3751-B

Captain John Lillie, Painting by John Johnston, 3752-B

The image shows a framed painting of Captain John Lillie, created by John Johnston and photographed by Frank William Bayley. The portrait features a man with white hair, wearing a dark coat and a light-colored cravat, adorned with a medal on his chest.

Collection: Frank William Bayley Photographic Collection, circa 1895-1929

GUSN: 386851

Ref. Code: PC012.001.002.3752-B

Jonathan Mason, Painting by John Johnston, 3753-B

The image is a photograph of a painting by John Johnston, which is titled "Jonathan Mason." The painting depicts a seated man in historical clothing, featuring a coat with large buttons and a ruffled shirt. His hair is styled in the manner typical of the period. The subject holds an envelope or docu...

Collection: Frank William Bayley Photographic Collection, circa 1895-1929

GUSN: 386852

Ref. Code: PC012.001.002.3753-B

Margaret (Russell) Codman, Painting by John Johnston, 3754-B

This is a photograph of a painting by John Johnston, depicting Margaret (Russell) Codman. The portrait shows a woman with an elaborate hairstyle adorned with flowers. She is dressed in a shawl over a garment with a decorative element at the neckline. The painting is oval-shaped and captures her in a...

Collection: Frank William Bayley Photographic Collection, circa 1895-1929

GUSN: 386853

Ref. Code: PC012.001.002.3754-B

Sarah Sawyer, Before Resoration, Painting by John Johnston, 3755-B

The image shows a painting titled "Sarah Sawyer, Before Restoration," created by John Johnston and photographed by Frank William Bayley. It depicts a portrait of a woman with a headpiece, visible in a head-and-shoulders pose. Her attire appears detailed, and she is holding a partially visible object...

Collection: Frank William Bayley Photographic Collection, circa 1895-1929

GUSN: 386854

Ref. Code: PC012.001.002.3755-B

Sarah Sawyer, After Restoration, Painting by John Johnston, 3756-B

The image is a photograph of a painting by John Johnston, depicting Sarah Sawyer. The portrait shows a seated woman wearing a bonnet and draped clothing, holding an open book in one hand. It is labeled as having been photographed by Frank William Bayley.

Collection: Frank William Bayley Photographic Collection, circa 1895-1929

GUSN: 386855

Ref. Code: PC012.001.002.3756-B

Robert Grant, Jr., Painting by Philip Alexius László de Lombos, 3757-B

The image depicts a painting of Robert Grant, Jr. created by Philip Alexius László de Lombos and photographed by Frank William Bayley. The subject appears seated, wearing a suit with a tie, and holds a hat in one hand. The portrait captures the figure in a calm and composed posture against a non-des...

Collection: Frank William Bayley Photographic Collection, circa 1895-1929

GUSN: 386856

Ref. Code: PC012.001.004.3757-B