Displaying: 159551 - 159600 of 219,010

Sofas. Hall Seats. Settles. -- Page 40

Page 40 of album of design drawings. Pre-printed page number at upper left corner. Page contains two design drawings affixed to page with glue. Drawings are rendered in pencil on trace and depict sofa and settee designs.

Sofas. Hall Seats. Settles. -- Page 41

Page 41 of album of design drawings. Pre-printed page number at upper right corner. Page contains two design drawings affixed to page with glue. Drawings are rendered in pencil on trace and depict sofa and settee designs.

Sofas. Hall Seats. Settles. -- Page 42

Page 42 of album of design drawings. Pre-printed page number at upper left corner. Page contains two design drawings affixed to page with glue. Drawings are rendered in pencil on trace and depict sofa designs.

Sofas. Hall Seats. Settles. -- Page 43

Page 43 of album of design drawings. Pre-printed page number at upper right corner. Page contains three design drawings affixed to page with glue. Drawings are rendered in pencil on trace and depict sofa and settee designs.

Sofas. Hall Seats. Settles. -- Page 44

Page 44 of album of design drawings. Pre-printed page number at upper left corner. Page contains two design drawings affixed to page with glue. Drawings are rendered in watercolor and pencil on paper and depict the front and side views of a sofa design.

Sofas. Hall Seats. Settles. -- Page 170

Page 170 of album of design drawings. Pre-printed page number at upper left corner. Page contains four design drawings affixed to page with glue. Drawings are rendered in pencil or pencil and ink on trace and depict sofa and settle designs.

Sofas. Hall Seats. Settles. -- Page 171

Page 171 of album of design drawings. Pre-printed page number at upper right corner. Page contains two design drawings affixed to page with glue. Drawings are rendered in pencil on trace and depict settle designs.

Sofas. Hall Seats. Settles. -- Page 172

Page 172 of album of design drawings. Pre-printed page number at upper left corner. Page contains two design drawings affixed to page with glue. Drawings are rendered in pencil on trace and depict settee and settle designs

Sofas. Hall Seats. Settles. -- Page 173

Page 173 of album of design drawings. Pre-printed page number at upper right corner. Page contains two design drawings affixed to page with glue. Drawings are rendered in pencil on trace and depict sofa and settee designs.

Sofas. Hall Seats. Settles. -- Page 174

Page 174 of album of design drawings. Pre-printed page number at upper left corner. Page contains two sketches affixed to page with glue. Drawings are rendered in pencil on trace and depict sofa and settee designs.

Sofas. Hall Seats. Settles. -- Page 175

Page 175 of album of design drawings. Pre-printed page number at upper right corner. Page contains two drawings affixed to page with glue. Drawings are rendered in pencil on trace and depict sofa and settee designs.

Sofas. Hall Seats. Settles. -- Page 176

Page 176 of album of design drawings. Pre-printed page number at upper left corner. Page contains two design drawings affixed to page with glue. Drawings are rendered in pencil on trace and depict settle designs.

Sofas. Hall Seats. Settles. -- Page 177

Page 177 of album of design drawings. Pre-printed page number at upper right corner. Page contains two design drawings affixed to page with glue. Drawings are rendered in pencil on trace and depict settle and settee designs.

"Small Sofa in Music Room"

Design drawing titled "Small Sofa in Music Room" rendered in ink on trace. Perspective view is shown. Sofa has straight crest; outwardly flaring arms same height as back; arm supports with carved volutes and acanthus leaves; rectangular seat; upholstered back, arms and seat with nail trim at lower e...

Sofa

Untitled design drawing rendered in ink on trace. Perspective view of a sofa is shown. Sofa has serpentine crest rail flowing into curved stiles; upholstered back; curved molded arms and arm suppors; upholstered seat with serpentine fron; shaped skirt; and cabriole legs terminating in scroll feet. C...

Settee

Untitled design drawing rendered in ink on trace. Perspective view of a settee is shown. Settee has triple seat back form with center back being wider than the sides; straight crest rails with concave corners; rectangular tablets on side crestrails and arched tablet on center crest; carved foliate o...

"Tabaret of Mahogany"

Design drawing titled "Tabaret of Mahogany" rendered in ink on trace. Perspective view is shown. Sofa has a low back; steeply concave curved crest rail; tall scrolled arms; straight skirt with rectangular corner blocks; four tapered square legs on casters; and carved ornamentation throughout includi...

"Sofa"

Design drawing titled "Sofa" rendered in ink on trace. Perspective view is shown. Sofa has a low back; steeply concave curved crest rail; tall scrolled arms; straight skirt with rectangular corner blocks; four tapered round legs on casters; and carved ornamentation throughout including fluting and ...

"Sofa (of Mahogany)"

Design drawing titled "Sofa (of Mahogany)" rendered in pencil on trace. Perspective view is shown. Sofa has a tall rectangular back; scrolled arms; T-shaped seat cushion; fully upholstered back, seat and arms; two cabriole front legs with sharp-edged knees and carved volutes terminating in trifid fe...

"Mahog. Sofa for Ladies Reception Room Union Club"

Design drawing titled "Mahog. Sofa for Ladies Reception Room Union Club" rendered in ink on trace. Perspective view is shown. Neoclassical-style sofa has upholstered straight back which curves into tall sides; open scrolled arms; turned vasiform arm supports; upholstered seat; straight skirt; four ...

Sofa

Untitled design drawing of a sofa rendered in ink on trace. Perspective view is shown. Upholstered sofa has rectangular back; scrolled arms at same height as back; nail trim along bottom edge of upholstery; two tapered square front legs; two splayed square rear legs; and casters.

Chippendale-style Settee

Untitled design drawing rendered in ink on trace. Perspective view is shown. Chippendale-style settee has double-chair back form with serpentine crest rails; rounded shoulders; splats with Gothic tracery piercings; shaped arms with scrolled handholds; C-curved arm supports; seat with over-the-rail u...

Sofa

Design drawing titled "Sofa of Mahogany" rendered in ink on trace. Perspective view is shown. Upholstered sofa has serpentine back; downward sloping sides; scrolled handholds; turned vasiform arm supports atop rectangular square blocks; upholstered seat with single row of nail trim along bottom edge...

"Sofa"

Design drawing titled "Sofa" rendered in pencil on trace. Front and side views are shown. Neoclassical-style sofa has upholstered back, seat and arms; tall rectangular back with straight crest rail; scrolled arms; fluted or reeded columnar arm supports with rosettes at top and rectangular square blo...

"Of Circassian Walnut"

Design drawing titled "Of Circassian Walnut" rendered in pencil on trace. Front and side views are shown. Renaissance Revival-style settee has triple-seat back form with arched crest rails, solid splats and caned backs; turned stiles and arm supports; shaped open arms with scroll handholds; seat wit...

"Settle of Mahogany"

Design drawing titled "Settle of Mahogany" rendered in pencil on trace. Perspective view is shown. Settle has rectangular open back with three vasiform splats; straight open arms; curved arm supports; solid rectangular seat; straight skirt; and four tapered square legs with spade feet. Title, dimens...

"Sofa"

Design drawing titled "Sofa" rendered in pencil of trace. Perspective view is shown. Chippendale-style settee has three-chair back form; bow-shaped crest rails with central carved shells; protruding ears; pierced splats with central owl-eye design; shaped arms; curved arm supports; upholstered seat ...

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Mr. and Mrs. Claud B. Cross home, 255 Dudley Street, Brookline, Mass.

Four black and white photographs (two 7.5 x 8 inches, one 2.5 x 2.5 inches, and one 4.5 x 5 inches) of the interior and exterior of the clapboard and brick home, built in 1926 or 1927. Some photographs are dated 1940. Small photograph shows first installment of house as built.

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Henry E. Wile, 141 Meadowbrook Road, Weston, Mass.

This house is dated 1946. Six photographs taken by Arthur Haskell of Marblehead. Henry E. Wile worked with Eleanor Raymond as general contractor for several projects. Raymond was the architect of his house in Weston and his home in Newton Center (see portfolio 4).

Peabody sculpture studio, Mill Farm, Dover, Mass.

Designed for Amelia Peabody in 1933. Twenty-two black and white photographs (9.5 x 7.5 inches) and one postcard of the interior and exterior of the artist’s white stucco studio. Studio is an example of Raymond’s adaptation of the international style she learned during study and travel in Europe. Mos...

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Peabody stables, Mill Farm, Dover, Mass.

Peabody stables, Mill Farm, Dover, Mass. designed for Amelia Peabody as part of studio and farm group project in 1933. Three black & white 7.5 x 9.5 inch photographs.

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Richard Lennihan house 3 Bates Street, Cambridge, Mass.

Eight black and white photographs (four 8 x 10 inch, one 7.25 x 9.25 inches, one 7.625 x 9 inches, one 6 x 8 inches, and one 9.25 x 6.25 inches) of the interior and exterior of Lennihan home. Many photos taken by Dorothy Jarvis Studio, Brookline.

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Sugarman, 72 Arlington Street, Brookline, Mass.

Three black and white photographs of interior and exterior of this house built in 1935.

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Mr. and Mrs. Henry E. Wile house, 50 Manemet Road, Newton Center, Mass.

Four black and white photographs (two 9.5 x 7.5, one 2.5 x 2.5, one 8 x 10) of the exterior of a garrison colonial home. House was probably built between 1934 and 1938. House is listed in Newton City Directory in 1938, but not in 1934. According to this directory, his wife’s name is Lena and he ha...

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F. Robins and Marguerite M. Mitchell Barn, 111 South Street, Weston, Mass.

Five black & white photographs (one 7.25 x 9.25 inches, three 7.75 x 9.25 inches, and one 6 x 9.25 inches) taken by Paul Webber of the Mitchell Barn project in Weston. Raymond remodeled the Mitchell Barn into an artist’s studio in 1929.

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57 Central Street, Andover, Mass.

Colonial House and Barn moved and redesigned by Raymond in 1926. Nineteen black and white exterior and garden photographs (various sizes), most taken by Burr A. Church, Newton Center, Mass. 34 black and white photographs (various sizes) of the interior of the Smith house after remodeling.

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Mr. and Mrs. Horace Frost house, 16 Longfellow Park, Cambridge, Mass.

Ten black & white photographs (8 x 8.5 inches) of interior and exterior of Frost home designed in 1935. Photographs taken by Paul Weber. Contractor was Henry E. Wile of Newton Center, Mass.

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Rachel Raymond house, 9 Park Avenue, Belmont, Mass.

Seven black & white photographs (one 3 x 5 inches and six 7 x 10 inches) by Paul Weber shows house and stable building. Modern style home was designed by Eleanor Raymond for her sister Rachel in 1931. The home, built of cedar matched boarding, shows Raymond’s ability to translate foreign design into...

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Theodore T. Miller house, 105 Juniper Road, Belmont Mass.

Seventeen black & white photographs (most 7 x 9 inch) of the home’s interior and exterior taken by Paul Davis at the George H. Davis Studio and Paul Weber. House designed in 1936.

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Herford N. Elliott House, Westford, Mass.

Five black and white photographs (8.5 x 7 inches) of interior and exterior of home designed in 1935. Henry E. Wile of Newton Center, Mass. as the contractor.

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N. M. Safford home, 65 Brook Hill Road, Milton, Mass.

Fifteen black & white photographs (7.5 x 9.25 inches) of interior and exterior including gardens of Safford home, built in 1928. Photographs taken by Paul Weber.

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William K Jackson House, Chestnut Hill Road, Chestnut Hill, Mass.

Eight black and white photographs (7.5 x 9.5 inches) of the exterior of this two-story brick formal home, built in 1923. Photos taken by Charles Darling, Photographer, Salem, Mass. On the back of a photograph of the front door is reference to Good Housekeeping, April 3, 1929.

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James H. Cleaves house, Winchester, Mass.

Twenty-three black and white photographs (7.5 x 9.5 inches) and one set of architectural plans of a late Georgian style home built in 1919. The Cleaves house was the first building project of Eleanor Raymond. At the time, she was in the offices of Henry A. Frost and they collaborated on this project...

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William P. Bartel house, Gleason Road, Wayland, Mass.

Six black & white photographs (one 5 x 7 inches and five 7 x 8 inches) of this colonial home built in 1937.

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Quincy W. & Isabelle Wales, 21 Sylvan, West Newton, Mass.

Nine black & white photographs (7.5 x 9.5 inch) of a two story center hall Colonial. Photographs of the exterior and interior of home were taken by Charles Darling. No date of project or further identification is known. Home is listed in 1938 Newton City Directory. The backs of some of the photogra...

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Miss G. H. Emery, Jaffrey, New Hampshire

Nineteen black & white photographs (7.5 x 9.5 inches) of the interior and exterior of home taken by Thomas Ellison, photographer, Boston. Several photographs are marked Frost and Killam, Architects, Bremer W. Pond, Landscape Architect. No date of project or further identification is known. See por...

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Colonial House B, Winchester, Mass.

1 black & white photograph (7.5 x 9.5 inches) of a two-story clapboard colonial. Built in 1922. Architects were Frost and Raymond. Article from House Beautiful refers to this as the Home Builders Service

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Arthur Besse, Vineyard Haven, Mass. 1939.

Fifteen black & white photographs (two 4.5 x 6.5 inches and thirteen 6.5 x 10 inches) of the house exterior. No further details available.

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Mrs. Dwight (Dorothy) Ellis, Haddam, Conn.

House known as "High Spruces" dated 1932. Twenty-three black and white photographs by Paul Weber of the interior, exterior and gardens. This house illustrates the collaboration of Eleanor Raymond with her sister Rachel as interior designer, Mary Cunningham as landscape designer and Ethel Power’s art...

"Settle of Oak"

Design drawing titled "Settle of Oak" rendered in pencil on trace. Front and side views are shown; top plan is also provided. Settle has tall rectangular back; flat rectangular arms; rectangular seat with straight skirt; flat arms resting on square front stiles; square tapered legs with ring turning...