Displaying: 159701 - 159750 of 229,711

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Photograph

Bluetone photo of man in straw boater standing on top of first floor of stone building under construction. Ladders and building materials lying about. Labeled "South Front/ June 16, 1891."

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Photograph

Bluetone photo of entire south front under construction w/ Capitol in right background. Date June 16, 1891.

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Photograph

Bluetone photo of entire south front under construction showing additional floor and stone heads in place. Capitol in right background. Dated Dec. 30, 1891.

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Photograph

Large group of gentlemen in top hats and cutaway coats wearing ceremonial ribbons and corsages, apparently waiting to march in a parade. Street is of paving stones and full of passersby.

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Photographs

Group photograph of 28 gentlemen standing in front of the porch of a large Victorian building. .1 portrays then hatless (no'd 8519). .2 portrays then w/ straw boaters (no'd 8518.)

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Photograph

Three prints of same sitter and position; young man in suit and cravat seated and leaning one arm on Eastlake table. One of the sons of Thomas Lincoln Casey, Sr. (b. 1831, d. 1896). Harry Weir Casey (b. 1861, d. 1880) (See also 1955.359.1-4).

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Photograph

Probably E.P.Casey on right. Full length view of two men standing w/ hands clasped behind their backs holding their hats, wearing suits and ties.

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Program

Souvenir program, Memorial Continental Hall. Pamphlet tied together w/ small red, white and blue ribbon. Cover marker, "Ceremonies of the laying of the Cornerstone April 19, 1904. National Society Daughters of the American Revolution 13th Congress. Memorial Continental Hall Washington DC." Interior ...

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Invitation

Souvenir invitation, U.S. Grant Memorial. Official gold seal at top center of invitation to the dedication of the memorial to General Ulysses S. Grant. Memorial designed by Edward Pearce Casey, Architect (1864-1940).

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Photograph

Probably the office of Edward Pearce Casey (1864-1940). Two men sitting at drafting tables. Photograph mounted on gray cardboard w/ black ink trim.

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Map

Map of Rhode Island on canvas backing. Folds in marble paper portfolio.

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Photograph

Black and white photograph of hospital of Brooklyn Children's Aid Society building. Mounted on white cardboard.

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Photograph

Black and white photographic copy of an original by Mathew Brady (1862). Depicts Major General Silas Casey (1807-1882), seated, w/ 5 standing officers, labeled, "General Silas Casey and staff. Taken by Brady, 1862" in pen and ink on back. Unframed and mounted on brown mat board.

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Photograph

Black and white photograph of watercolor rendering of "Brooklyn Children's Aid Society Hospital Building... Coney Island/ Edward Pearce Casey, Archt." Depicts white concrete building w/ arched breezeways. Mounted on gray cardboard.

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Photograph

Photograph of drawing of Memorial Bridge across the Potomac. Selected by board of Engineers and Architects, and approved by Secretary of War, William H. Burr. Civil Engineer, Edward Pearce Casey, architect.

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Photograph

Photograph matted on gray cardboard w/ incised lines. Marked, "St. John's Guild N.Y. City Hospital New Dorp. S.I. Edward Pearce Casey, Architect, Singer Tower N---(?)" Reverse marked "Edward Pearce Casey Architect/ 149 Broadway New York."

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Invitation

Souvenir invitation to Lewis and Clark Exposition. Pamphlet invitation tied w/ yellow, blue, white and red ribbon. Front embossed w/ small scene and inscription, "where rolls the Oregon." Invitation for celebration of the 100th anniversary of the Oregon Country.

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Program

Souvenir program, U.S. Grant Memorial. Official gold seal at center front of program. Includes photographs, order of exercises, history and committee members.

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Invitation

Souvenir program or invitation to John Barry Memorial. Offical seal above invitation to the unveiling of the statue of John Barry, Commodore U.S. Army.

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Invitation

Two embossed ribbons and medals beside invitation to a service commemorating the 150th anniversary of the opening of St. Paul's Chapel.

Portrait of General Thomas Lincoln Casey, Sr. (1831-1896)

Portrait of General Thomas Lincoln Casey, Sr. (1831-1896). Waist length view, full face but looking slightly to the right. Sitter is wearing grey-brown military overcoat with sword hilt in gloved right hand. Short brown hair with moustache and beard. Mottled olive-brown background. Signed in upper r...

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Sleigh bell set

Leather strap w/ waving sides and 5 bells.

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Rug

Oblong braided rag rug with multi-colored bands. Olive, black, browns and purples predominate.

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Rug

Circular braided rag rug with spiral eminating from center. Green, cream, brown and black predominate.

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Rug

Oblong braided rag rug in black, green and red. Center contains section of straight bands.

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Cradle

Rectangular child's cradle with canted sides and arched foot board. Bottom board forms base molding. Scalloped hood sides and three-part bonnet top.

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Photograph

Photograph of Edward P. Casey. Gilt, beaded rectangular frame, under glass. Oval mat. Black and white photographic portrait of side view of Casey wearing stand-up collar, low tie, and suit coat.

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Portable Desk

Rectangular black lacquered paper mache writing box with mother-of-pearl and gilt floral inlay decoration on top. Hinged lid opens to reveal red cut-velvet writing surfce with compartments for ink, pens and paper. Stamped label on top of ink container reads, "Berys/ Patent."

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Four-poster bed

Tester bed w/ new tester frame. Posts at foot of bed have block feet and tapered, reeded columns culminating in ring turnings and baluster shape. Square, tapered head posts. Headboard is rectangular w/ sloped shoulders.

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Man's Nightgown

White cotton man's nightgown with white ceramic buttons. Single pocket; long sleeves; 3/4 length or full length with collar; machine sewn.

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Trunk

Leather covered, brass studded wooden trunk; dome-hinged top w/ initials: "TGC" in brass tacks. [-shaped iron handles. Interior lined w/ black and white paper. Labeled "John Chapple...no. 31 piccadilly..."

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Andirons

Flat-bodied andiron tapering upward and curling around at neck and supporting a circular ring top. Body rests on curved front legs w/ flat penny feet. Square solid billet bar.

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Side chair

Side chair w/ scalloped crest rail w/ shaped reverse-curve stiles and 4-spool and baluster turned spindles which fit into a plain rail. Rectangular seat w/ shaped front edges. Single, rectangular front stretchers; 2 rod side stretchers and single rod back stretcher. Front legs are curved. Rear legs...

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Side chair

Side chair w/ scalloped crest rail w/ shaped reverse-curve stiles and 4-spool and baluster turned spindles which fit into a plain rail. Rectangular seat w/ shaped front edges. Single, rectangular front stretchers; 2 rod side stretchers and single rod back stretcher. Front legs are curved. Rear legs...

Chair

Chippendale side chair, painted black, w/ evidence of white paint and red stain. Straight legs w/ thin beading at outside corner; 4 rectangular stretchers; replaced rush seat; 3 pierced slats connect tapered and shaped stiles.

Chair

Banister-back side chair. Five banisters tenoned into a splat rail and a scalloped crest rail. Turned stiles topped by ovoid finials. Turnip front feet. Two decoratively turned front stretchers, two side stretchers on each side, and one rear stretcher, all plainly turned.

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Wall mirror

Rectangular glass in conforming frame with broken scroll pediment and scrolled apron. Shallow, incised carving and gilt on gesso overall. Chalk mark on rear: "1812(9?)." Also marked, "L66." "Old Chippendale/ mirror/ owned by Silas Casey & then/ by Edward Pearce Casey."

Chest with drawers

White pine blanket chest painted reddish brown with red undercoat. Simulated drawers. Two dovetailed "true" drawers beneath chest with fals drawer fronts. Hinged top with molding. Original brasses. Chest rests on tall bracket feet.

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Watercolor

Watercolor of "The Ghostly Repast", depicts two men at table with window at the left. The subject is the disciples at Emmaeus, placed in a setting of classical architecture, depicting the moment of Christ's disappearance. Signed at center, bottom: "Rob W. Weir 1844." White matting. Wooden, gilded, m...

Valance panel

Off-white uneven striped cotton dimity with applied mill fringe with narrow heading, assymetrical gimp and knotted fringe. 30 1/2" h panel with 4" wide applied mill fringe with narrow heading and assymetrical "shell" gimp; uneven woven dimity stripe; 2" wide hem across top.

Curtain panel

Off-white uneven striped cotton dimity with applied mill fringe with narrow heading, assymetrical gimp and knotted fringe. Triangular shape seamed; with 4" fringe.

Valance panel

Off-white uneven striped cotton dimity with applied mill fringe with narrow heading, assymetrical gimp and knotted fringe. 30 1/2" h panel with 4" wide applied mill fringe with narrow heading and assymetrical "shell" gimp; uneven woven dimity stripe; 2" wide hem across top.

Curtain panel

Off-white uneven striped cotton dimity with applied mill fringe with narrow heading, assymetrical gimp and knotted fringe. Triangular shape.

Curtain panel

Off-white uneven striped cotton dimity with applied mill fringe with narrow heading, assymetrical gimp and knotted fringe. 1/2 triangle seamed with fringe, opposite of A.

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Valance panel

Off-white uneven striped cotton dimity w/ applied mill fringe w/ narrow heading, assymetrical gimp and knotted fringe. 30 1/2" h panel w/ 4" wide applied mill fringe w/ narrow heading and assymetrical "shell" gimp; uneven woven dimity stripe; 2" wide hem across top

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Fragment

Off-white uneven striped cotton dimity w/ applied mill fringe w/ narrow heading, assymetrical gimp and knotted fringe. Fringe w/ two trianglar pieces.

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Bed valance

Side valance; plain weave, off-white linen with selvage top edge and hemmed edges; shaped ends with sharp corners and points; straight bottoms; embroidered with polychromatic wools in undulating grape vine meeting at center with a flourish, various flowers and leaves represented; nail or tack holes ...

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Bed valance

End valance; plain weave, off-white linen with selvage top edge and hemmed edges; shaped ends with sharp corners and points; straight bottoms; embroidered with polychromatic wools in undulating grape vine meeting at center with a flourish, various flowers and leaves represented; nail or tack holes o...

Curtain

Panels of pieced, glazed plain weave cotton with roller print block print combination polychromatic repeating large scale floral motifs with sawtooth arc borders; heavy use of green, very busy with little white ground; edges bound in a striped honeycomb tape. Pieced panel with hemmed top and hone...

Curtain

Panels of pieced, glazed plain weave cotton with roller print block print combination polychromatic repeating large scale floral motifs with sawtooth arc borders; heavy use of green, very busy with little white ground; edges bound in a striped honeycomb tape. Two piece panel with hemmed top with ...