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Sofas. Hall Seats. Settles. -- Page 170

Page 170 of album of design drawings. Pre-printed page number at upper left corner. Page contains four design drawings affixed to page with glue. Drawings are rendered in pencil or pencil and ink on trace and depict sofa and settle designs.

Sofas. Hall Seats. Settles. -- Page 171

Page 171 of album of design drawings. Pre-printed page number at upper right corner. Page contains two design drawings affixed to page with glue. Drawings are rendered in pencil on trace and depict settle designs.

Sofas. Hall Seats. Settles. -- Page 172

Page 172 of album of design drawings. Pre-printed page number at upper left corner. Page contains two design drawings affixed to page with glue. Drawings are rendered in pencil on trace and depict settee and settle designs

Sofas. Hall Seats. Settles. -- Page 173

Page 173 of album of design drawings. Pre-printed page number at upper right corner. Page contains two design drawings affixed to page with glue. Drawings are rendered in pencil on trace and depict sofa and settee designs.

Sofas. Hall Seats. Settles. -- Page 174

Page 174 of album of design drawings. Pre-printed page number at upper left corner. Page contains two sketches affixed to page with glue. Drawings are rendered in pencil on trace and depict sofa and settee designs.

Sofas. Hall Seats. Settles. -- Page 175

Page 175 of album of design drawings. Pre-printed page number at upper right corner. Page contains two drawings affixed to page with glue. Drawings are rendered in pencil on trace and depict sofa and settee designs.

Sofas. Hall Seats. Settles. -- Page 176

Page 176 of album of design drawings. Pre-printed page number at upper left corner. Page contains two design drawings affixed to page with glue. Drawings are rendered in pencil on trace and depict settle designs.

Sofas. Hall Seats. Settles. -- Page 177

Page 177 of album of design drawings. Pre-printed page number at upper right corner. Page contains two design drawings affixed to page with glue. Drawings are rendered in pencil on trace and depict settle and settee designs.

"Small Sofa in Music Room"

Design drawing titled "Small Sofa in Music Room" rendered in ink on trace. Perspective view is shown. Sofa has straight crest; outwardly flaring arms same height as back; arm supports with carved volutes and acanthus leaves; rectangular seat; upholstered back, arms and seat with nail trim at lower e...

Sofa

Untitled design drawing rendered in ink on trace. Perspective view of a sofa is shown. Sofa has serpentine crest rail flowing into curved stiles; upholstered back; curved molded arms and arm suppors; upholstered seat with serpentine fron; shaped skirt; and cabriole legs terminating in scroll feet. C...

Settee

Untitled design drawing rendered in ink on trace. Perspective view of a settee is shown. Settee has triple seat back form with center back being wider than the sides; straight crest rails with concave corners; rectangular tablets on side crestrails and arched tablet on center crest; carved foliate o...

"Tabaret of Mahogany"

Design drawing titled "Tabaret of Mahogany" rendered in ink on trace. Perspective view is shown. Sofa has a low back; steeply concave curved crest rail; tall scrolled arms; straight skirt with rectangular corner blocks; four tapered square legs on casters; and carved ornamentation throughout includi...

"Sofa"

Design drawing titled "Sofa" rendered in ink on trace. Perspective view is shown. Sofa has a low back; steeply concave curved crest rail; tall scrolled arms; straight skirt with rectangular corner blocks; four tapered round legs on casters; and carved ornamentation throughout including fluting and ...

"Sofa (of Mahogany)"

Design drawing titled "Sofa (of Mahogany)" rendered in pencil on trace. Perspective view is shown. Sofa has a tall rectangular back; scrolled arms; T-shaped seat cushion; fully upholstered back, seat and arms; two cabriole front legs with sharp-edged knees and carved volutes terminating in trifid fe...

"Mahog. Sofa for Ladies Reception Room Union Club"

Design drawing titled "Mahog. Sofa for Ladies Reception Room Union Club" rendered in ink on trace. Perspective view is shown. Neoclassical-style sofa has upholstered straight back which curves into tall sides; open scrolled arms; turned vasiform arm supports; upholstered seat; straight skirt; four ...

Sofa

Untitled design drawing of a sofa rendered in ink on trace. Perspective view is shown. Upholstered sofa has rectangular back; scrolled arms at same height as back; nail trim along bottom edge of upholstery; two tapered square front legs; two splayed square rear legs; and casters.

Chippendale-style Settee

Untitled design drawing rendered in ink on trace. Perspective view is shown. Chippendale-style settee has double-chair back form with serpentine crest rails; rounded shoulders; splats with Gothic tracery piercings; shaped arms with scrolled handholds; C-curved arm supports; seat with over-the-rail u...

Sofa

Design drawing titled "Sofa of Mahogany" rendered in ink on trace. Perspective view is shown. Upholstered sofa has serpentine back; downward sloping sides; scrolled handholds; turned vasiform arm supports atop rectangular square blocks; upholstered seat with single row of nail trim along bottom edge...

"Sofa"

Design drawing titled "Sofa" rendered in pencil on trace. Front and side views are shown. Neoclassical-style sofa has upholstered back, seat and arms; tall rectangular back with straight crest rail; scrolled arms; fluted or reeded columnar arm supports with rosettes at top and rectangular square blo...

"Of Circassian Walnut"

Design drawing titled "Of Circassian Walnut" rendered in pencil on trace. Front and side views are shown. Renaissance Revival-style settee has triple-seat back form with arched crest rails, solid splats and caned backs; turned stiles and arm supports; shaped open arms with scroll handholds; seat wit...

"Settle of Mahogany"

Design drawing titled "Settle of Mahogany" rendered in pencil on trace. Perspective view is shown. Settle has rectangular open back with three vasiform splats; straight open arms; curved arm supports; solid rectangular seat; straight skirt; and four tapered square legs with spade feet. Title, dimens...

"Sofa"

Design drawing titled "Sofa" rendered in pencil of trace. Perspective view is shown. Chippendale-style settee has three-chair back form; bow-shaped crest rails with central carved shells; protruding ears; pierced splats with central owl-eye design; shaped arms; curved arm supports; upholstered seat ...

"Sofa"

Design drawing titled "Sofa" rendered in ink and pencil on trace. Perspective view is shown. Neoclassical-style sofa has rectangular back with straight crest rail; straight arms with ovolo ends; turned vasiform arm supports; upholstered back, sides and seat with single row of nail trim along edges; ...

Settee

Untitled design drawing of a settee rendered in pencil on trace. Perspective view is shown. Federal-style settee has two-chair form with serpentine shield backs; pierced splats with drapery design; curved arms flowing into curved arm supports. upholstered seat with single row of tacks along bottom e...

"Sofa of Satinwood for Mrs. Monk"

Design drawing titled "Sofa of Satinwood for Mrs. Moor" rendered in pencil on trace. Perspective view is shown. Neoclassical-style sofa has a low back; steeply concave curved crest rail; tall arms; tall arm supports which terminate in volutes; straight skirt with rectangular corner blocks and carved...

Sofa

Untitled design drawing of a sofa rendered in ink on trace. Perspective view is shown. Chippendale-style sofa has a serpentine crest rail; tall flaring scrolled arms; arm supports with carved volute at top and scroll at bottom; upholstered back, arms and seat; double row of brass tacks along front e...

Envelope addressed to Mrs. H.A. Gowing, 1041 Beacon Street, Brookline, Mass., March 6, 1900

This is the envelope used by Mrs. Charles Gowing to mail the Nestor Cigarette cards to Mrs. H.A. Gowing.

"Double Seat of Mahogany"

Design drawing titled "Double Seat of Mahogany" rendered in pencil on trace. Perspective view is shown. Sofa has fully upholstered rectangular back and straight open arms; curved arm supports with carved acanthus leaves and rosettes; rectangular seat with over-the-rail upholstery; single row of bras...

Settee

Untitled design drawing of a settee rendered in pencil on trace. Front view is shown. Federal-style settee has three-chair form with rectangular backs; shaped rectangularcrest rails with carved or inlaid ribbons and swags; open backs with splats formed by opposing half circles joined by a central ca...

"A Double Chippendale Chair"

Design drawing titled "A Double Chippendale Chair" rendered in pencil on trace. Front view is shown. Chippendale-style settee has double-chair back form; crest rails with central acanthus-carved friezes and protruding ears; pierced splats with four vertical bannisters above an acanthus-carved base; ...

"Sofa of French Walnut & Gold"

Design drawing titled "Sofa of French Walnut & Gold" rendered in pencil and colored pencil on trace. Perspective view is shown. LouisXVI-style sofa has rectangular back; straight crest rail with carved and gilded central foliate motif; tall arms terminating in scrolled handholds; gilded acanthus car...

Sofa

Untitled design drawing of a sofa rendered in pencil on trace. Perspective view is shown. Sofa has srectangular back; tall scrolled arms; arm supports with carved volutes at top and rectangular blocks below; upholstered back, arms, sides and seat with brass tack trim at edges; four tapered square fr...

Sofa

Untitled design drawing of a sofa rendered in pencil on trace. Front and side views are shown. Sofa has gently bowed upholstered back; upholstered shaped partial sides; arms terminating in scrolls above turned vasiform arm supports; upholstered seat; brass tack trim along all upholstery edges; recta...

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Theodore T. Miller house, 105 Juniper Road, Belmont Mass.

Seventeen black & white photographs (most 7 x 9 inch) of the home’s interior and exterior taken by Paul Davis at the George H. Davis Studio and Paul Weber. House designed in 1936.

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Herford N. Elliott House, Westford, Mass.

Five black and white photographs (8.5 x 7 inches) of interior and exterior of home designed in 1935. Henry E. Wile of Newton Center, Mass. as the contractor.

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N. M. Safford home, 65 Brook Hill Road, Milton, Mass.

Fifteen black & white photographs (7.5 x 9.25 inches) of interior and exterior including gardens of Safford home, built in 1928. Photographs taken by Paul Weber.

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William K Jackson House, Chestnut Hill Road, Chestnut Hill, Mass.

Eight black and white photographs (7.5 x 9.5 inches) of the exterior of this two-story brick formal home, built in 1923. Photos taken by Charles Darling, Photographer, Salem, Mass. On the back of a photograph of the front door is reference to Good Housekeeping, April 3, 1929.

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James H. Cleaves house, Winchester, Mass.

Twenty-three black and white photographs (7.5 x 9.5 inches) and one set of architectural plans of a late Georgian style home built in 1919. The Cleaves house was the first building project of Eleanor Raymond. At the time, she was in the offices of Henry A. Frost and they collaborated on this project...

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William P. Bartel house, Gleason Road, Wayland, Mass.

Six black & white photographs (one 5 x 7 inches and five 7 x 8 inches) of this colonial home built in 1937.

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Quincy W. & Isabelle Wales, 21 Sylvan, West Newton, Mass.

Nine black & white photographs (7.5 x 9.5 inch) of a two story center hall Colonial. Photographs of the exterior and interior of home were taken by Charles Darling. No date of project or further identification is known. Home is listed in 1938 Newton City Directory. The backs of some of the photogra...

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Miss G. H. Emery, Jaffrey, New Hampshire

Nineteen black & white photographs (7.5 x 9.5 inches) of the interior and exterior of home taken by Thomas Ellison, photographer, Boston. Several photographs are marked Frost and Killam, Architects, Bremer W. Pond, Landscape Architect. No date of project or further identification is known. See por...

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Colonial House B, Winchester, Mass.

1 black & white photograph (7.5 x 9.5 inches) of a two-story clapboard colonial. Built in 1922. Architects were Frost and Raymond. Article from House Beautiful refers to this as the Home Builders Service

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Arthur Besse, Vineyard Haven, Mass. 1939.

Fifteen black & white photographs (two 4.5 x 6.5 inches and thirteen 6.5 x 10 inches) of the house exterior. No further details available.

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Mrs. Dwight (Dorothy) Ellis, Haddam, Conn.

House known as "High Spruces" dated 1932. Twenty-three black and white photographs by Paul Weber of the interior, exterior and gardens. This house illustrates the collaboration of Eleanor Raymond with her sister Rachel as interior designer, Mary Cunningham as landscape designer and Ethel Power’s art...

"Settle of Oak"

Design drawing titled "Settle of Oak" rendered in pencil on trace. Front and side views are shown; top plan is also provided. Settle has tall rectangular back; flat rectangular arms; rectangular seat with straight skirt; flat arms resting on square front stiles; square tapered legs with ring turning...

Exterior view of Frank E. Barnes' house, Haverhill, Mass.

Photograph of the exterior of the Barnes home taken by Paul Weber, architectural photographer. Image includes surrounding trees.

"Sofa of Mahogany"

Design drawing titled "Sofa of Mahogany" rendered in pencil and ink on trace. Perspective view is shown. Empire-style sofa has upholstered back below slightly concave crest rail with carved concave scroll and volute at each side; upholstered seat with continuous scrolled arms; scrolled arm supports ...

"Sofa"

Design drawing titled "Sofa" rendered in pencil on trace. Perspective view is shown. Sofa has back with central serpentine crest flanked by large arch on each side; high sides with serpentine curve at top; cabriole front legs with carved knees and paw feet; and splayed rectangular rear legs. Title, ...

Exterior view of Tau Zeta Epsilon Society House, Wellesley College, Wellesley, Mass.

Photograph of the exterior of the Tau Zeta Epsilon Society house at Wellsley College. Image includes trees and surrounding landscape.

Interior view of Amelia Peabody sculpture studio, Mill Farm, Dover, Mass.

Black and white photograph of the interior of Amelia Peabody's sculpture studio on Mill Farm in Dover, Mass. Room view includes a piano and two sculptures. One sculpture is of a female nude and the other is of a man in a horse-drawn carriage. This studio is an example of Raymond’s adaptation of the ...